The nice man (album)
|Böhse Onkelz: The nice man|
|category:||Oi, Ska, hard skirt|
|number of titles:||14|
|running time:||32 min 50 sec.|
MTV Studio Frankfurt
|chronicle of Böhse Onkelz|
|the nice man||bad humans - bad songs|
the nice man is the first Studioalbum the volumes Böhse Onkelz and appeared 1984. The album became in the spring 1986 because of the TRACKs „France '84 “, „the nice man “, „girls “, „football + force “, „Dr. Later Martens Beat “and „Böhse Onkelz “set on the list of the youth-endangering writings (indexing) and because of force glorification seizes. This seizing was first in Germany. Including the unauthorized publication „the nice man + “the album ranks demos among the five only albums seized because of force glorification. The album is considered as one of the first German skinhead albums.
The album was thousandfold copied and passed on from the indexing. Skirt O Rama brought various versions out of the album in the course of the years, among other things „Friday night “(1988).
Table of contents
the Cover of „the nice man “is very simply held. Stands above in white on black reason „Böhse Onkelz “, down somewhat smaller „the nice man “. Between them a black-and-white photo is to be seen, on which a taken off child doll lies blutbeschmiert on the bitumen.
in this piece goes it vordergründig around the travel to the football European championship 1984 into France. Among other things due to the Refrains „, we see ourselves in each case/in the summer '84 with the France assault “ the title by the federal inspection station for youth-endangering writings were indicated, which the opinion were the fact that „the France assault “ alludes „to the events in the Second World War and thus the beginning of war in France as positive represents as well as publicises National Socialist ideas “. The original text of the indexing report of the federal inspection station for youth-endangering media stands the following over the Song:
“The song “France ´84” requests vordergründig to drive to the football European championship 1984 to France. This travel for the support of the German crew with the football European championship the group members see to that volume as a France assault. They allude thereby to the events in the Second World War. They represent thereby the beginning of war with France as positive. National Socialist ideas, in particular the supremacy and dominance of the German people are publicised. The listeners are requested to show “who we are”. Germany is represented as “power”, as “the national winner”. We can be supposed and for our country straight to stand. In contrast to it the French players become and/or. the whole French people as inferior represented. They are not fair opponents, to who one places oneself in the fight, the Frenchmen stand rather on such a low stage that one pissen them “before the feet” must.
The French people is described like free game. Thus the confession of the Federal Republic of Germany is questioned as democratic constitutional state to a equal member of the commonwealth of nations; the people communication under inclusion straight also the reconciliation of the German people with the former war opponents is negated. Acting is demanded that niece makes the efforts of the people communication and the acknowledgment.
The National Socialist tendency of the song “France ´84” contradicts the value order given in the article 25 Basic Law. There the connection of international law for the German population is prescribed. Actions, which disturb the peaceful living together of the peoples, contradict this value order. A song, which expresses itself openly against the people communication and requests - more still - to insult one as an inferior described race leads to an socialethical confusion. This song is youth-endangering. “
football + force
of the titles describes a hooligan troop, on Saturday noon in the stadium meets over „everything to annihilate “. Because of force glorification the text was indicated. The original text of the indexing report of the federal inspection station for youth-endangering media stands the following over the Song:
“Force is beständigt described in this song as something normal. The fight delivered with the fists is represented as legitimate and usual conflict resolution means. Who proceeds by force, is not alone, he finds Zuspruch from all sides; all different in the “football stadium” help it.
In particular young recipients are caused by the song committing of acts of violence, crimes or other criminal offences. Fights in the football stadium are described as wonderful, exemplary and exemplary. Thereby exists the danger which young people such behaviors take over, acquire themselves and proceed by force against their fellow men. “
the nice man
of the Song acts of the topic of the sexual abuse and treats thereby Pädophilie, Sodomie as well as Nekrophilie. „The nice man “is spoken thereby in the I form, i.e. the singer describes himself as the author. According to statements that volume should be understood the Song as warning, what shows up in the Refrain (I am the nice man from next door/and everyone könnt' it its). Due to text ( small children up I gladly/carved and in disks) the Song by the federal inspection station were indicated, however by that still some marks on concerts live force-wonderful-end volume played. The original text of the indexing report of the federal inspection station for youth-endangering media stands the following over the Song:
“The song “the nice man” gave its name to the total record. It the mutilated is and with blood smeared children's game doll on the title page of the Plattencovers to assign. This song does not only represent cruelties, it preaches also a feelingless convicition opposite small children. It gentleman Mr. child abusing and - carving up, it preaches murder at small children, § to 211 StGB. The song is suitable to wake raw instincts. A feelingless, against fate and suffering of other blunted convicition is caused and/or. intensified. Committing of heaviest acts of violence and crimes becomes gentleman light. Perverses people battles is described as wonderful, exemplary and exemplary. It is to be feared that in particular young people let themselves be hinreissen by rezitieren this song to acts of violence. “
This song enjoys cult status with many fans.
according to instructions that volume exaggerated patriotic Song, which makes with the lines „also twelve dark years in your history/uns're solidarity you not destroyed “is introduced. „The twelve dark years “express the allegedly rejecting attitude that volume in relation to the twelve-year-old boys Nazi dictatorship. On a concert 1985 in Luebeck singer Kevin Russell (British citizens) changed personally the final line „black-red-golden we steh'n to you “ in „black-and-white-red we steh'n to you “, which was to have led thereafter to an bind-internal crisis.
The Song was not complained of by the federal inspection station, is not indicated thus also.
it goes spending
a singing and dancing in this song mainly therefore, like the volume at that time with its friends the weekends and other free time, i.e. with the excessive benefit of alcohol and loud Oi -, and/or. Ska - music. The song is very - annoying of Ska.
the quotation „whether blond, whether brown, I love all Fraun “ come of the film „I love all Fraun “(1935). Lines as „come and spread the legs “ and “I do it to everyone” as pornografisch were interpreted pure and the titles due to „spreading of Pornografie, request to the unrestrained Sexualität and publicise from Fellatio and Promiskuität “ indicated. The original text of the indexing report of the federal inspection station for youth-endangering media stands the following over the Song:
“The song is pornographisch i.S.v. §6 exp. 2 GjS i.V.m. § 184 Abs.1 StGB. It requests to unrestrained Sexualität, propagandiert Fellatio and Promiskuität. It is obviously heavy thereby youth-endangering and exceeds with §1 exp. 1 sentence 2GjS demanded measure of youth endangerment.
The song degradiert the woman to the sexual article of consumption and at any time usable article for the man. The woman is explained as sexual desire object. The sexual satisfaction is represented as the alone human existence controlling value. Young persons thereby the integration of the Sexualität in its total personality is made more difficult. “
dance on your grave
from the Song: „A life long hunted, last kiss at the coffin, die, you to dog, one dances on your grave. “
Dr. Martens Beat
Dr. Martens are as work boots conceived shoes with integrated Stahlkappe of the company Air Wair, which is carried gladly also by juvenile subcultures - in this example the skinheads -. The Song describes with priority the employment of these shoes with fights and because of „force wonderful that texts “ was likewise indicated. The original text of the indexing report of the federal inspection station for youth-endangering media stands the following over the Song:
“With the name “Dr. Martens Beat " designate the authors special English throwing worker shoes, their label name Dr. Martens is. Into these shoes Stahlkappen are trained (“ugly, violent and brutally”, the right wing of the West German youth scene: The skinheads, the mirror, magazine, expenditure No. 26/86, S86, S87 FF.).
The song does not demand up like the song “the nice man” - small children up to carve; - the request to the force is directed “only” against the physical integrity, a direct request for killing is not given here. The murder gentleman light, instead is not requested to brutal fights and to footsteps equipped with shoes, with Stahlkappen. Again particularly brutal behavior becomes gentleman light, when exemplary and exemplary publicises. Again force is described steadily as something normal. Brutal combat arguments as legitimate and usual conflict resolution sample Prügeleien are represented at the agenda, this can one only by brutal combat methods and by the use of aids, as for instance steel cap shoes, well exist. Other more peaceful conflict resolution samples are not described; a fight does not have to be avoided, rather the opponents to be inconsiderately crushed. “
the Onkelz describe in this title a feeling of skinhead course, which in the mass more strongly and more powerfully than the remainder of the society feels. Further topic is mental synchronising (“skinhead the same thoughts” have).
of the Song expresses the self perception of a skinhead.
the song describes a group meeting on Friday evening in the park, getting drunk and the following Vandalismus in taverns, the Zusammenschlagen of humans in the tavern as well as the following preventive detention out.
sound statements that volume is meant this text not political, but celebrates the group even as „the largest ones “ (we are the rulers of Frankfurt, kings of the night). The line „we drink also left and prevail with that to rights “ from the federal inspection station due to the bad photograph quality of this album as „we are young and to prevail with that rights “misunderstood the bad. Because of these and the line „today Germany belongs to us, and tomorrow the whole world “ became the title due to its that it takes over „the National Socialist ideology unreflected “, indicated. The original text of the indexing report of the federal inspection station for youth-endangering media stands the following over the Song:
“This song is youth-endangering, because it takes over the National Socialist ideology unreflected and their ideas beyond that publicised. Germany is described as only power. The German people is not the only valuable, all other peoples counts anything. Rassisti tendencies step openly to day. The National Socialist state is represented as a worthwhile goal.
As above under point 4 more near stated, propagandiert also this song problematic political tendencies, which stand for the value order of our Basic Law completely against. The confession of the Federal Republic of Germany to the constitutional state as equal partner in the commonwealth of nations is ignored, a diametrically opposite example is propagandiert. “
this song heroisiert the excessive benefit of alcohol, the volume was not averse from which in these days. Text excerpt: „… and we drink best friend, the alcohol on its well-being, unsern… “
from the Song: „. .und the liver lets you greet, it is appropriate for you long to feet….“