Kabarett

the word Kabarett comes from the French cabaret (give) off and later too „Kabarett “was eingedeutscht. One calls the arising persons Kabarettisten. There are two forms of the Kabaretts:

The literary shows poems, songs and Prosatexte, while
the political and humoreske Parodien, satires and Sketche present.

In the so-called “Nummernkabarett” by Conférencen a loose consequence is connected by Sketchen, songs, Parodien and invective. This form became in Austria and. A. of Josef Hader to oneinformal poetic narration develops further.Jewgenij Grischkowez found in Russia to a similar kind of the representation, which is derived however from the theatre.

Table of contents

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name origin

the word „Cabaret “designation in the French one give and/or. Tavern. In such taverns misjudged genius amuses itself andthe Bohèmiens then mutually at their works.

The statement is contentious, „Cabaret “is derived from swivelling feeding or salad plates, which was filled in small technical or firing moose with Saucen or other contents. These salad plates are sense-figurativy for that very muchvaried and various program of a Kabaretts been its.

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history

at the beginning of the 1880er years was opened into of Paris the first Kabarett cabaret artistique from Rodolphe Salís. After its establishment it kept that already shortName Le Chat Noir [1] and so fast also a tavern, in that the “kindists” became (with it 19 was in the Paris. Century all artists meant) mutually their numbers demonstrated and tested, before they were presented to the public.

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Kabarett in Germany

only twenty years later creates Ernst von Wolzogen with „Überbrettl “the first German Kabarett, which was only called later „multicolored theatre “. One the first Kabarettstars in Germany was Otto Reutter, whose outlasted Couplets in the meantime more than 100 years. The strict dramatic censorship in the empire ensured however for the fact that in the Kabarett 20 beginning. Century any form of the public criticism was forbidden. With the end of the First World War those becameCensorship on theatres and Kabarettprogramme waived, and the Kabarettisten could deal starting from 1919 also with the current political developments and the social situation of humans. In this time the German Kabarett flowered for the first time up and brought beside Otto Reutter,until 1931 its age work created, as different artists out as Claire forest off , Werner Finck (1929-1935 with the Kabarett “the Katakombe”) or Karl Valentin (also director Munich Kabaretts “vienna Munich”). For the Kabarett at that time outstanding man of letters wrote briefly like Tucholsky, Erich Kästner or Klaus man Couplets and texts.

Starting from the seizure of power of the NSDAP this spiritful time criticism was however ever more fought - with serious consequences for the Kabarett in Germany: Finck for example was arrested 1935 briefly and ina KZ interned, end of the same yearly suicide, nearly all German-language Kabarettisten committed Tucholsky went gradually in the exile into Switzerland, France, Scandinavia or also to the USA. The consequence was that it in Germany onlystill the nationally controlled Kabarett gave, which came more and more to a stage for people-German joke storytellers or requested the public to holding out.

Starting from 1945 crew powers provided to bring to the Germans the Gräuel of the National Socialist rule more near. To“Reeducation” belonged also to set the cultural life in motion again. Thus the culture officers of the military governments helped thereby, theatres and Kabarett again on to bring new and forbidden pieces on the stage. Fast „the Tol (l) prangerten eranten “in Mainz (with Hanns DieterHüsch), which „Kom (m) ödchen “in Duesseldorf (with Kay and truck Lorentz), „the residents of Munich laughter and shooting company “(with Dieter Hildebrandt, Klaus Havenstein, Achim Strietzel, Ursula Herking, Hans Jürgen Diedrich and Sammy Drechsel) topicshow: the Federal Government, the cold war and later the excrescences of the Wirtschaftswunders on. And the programs of these Kabarettisten of the 1950er years became by the discovery of the satire as kabarettistisches style means for the first time large public successes, also in young German the televisioncontinued. 1953 were opened in Berlin east „the thistle “as the first national Kabarett of the GDR - censors and without state-critical topics. Further ost-deutsche of Kabaretts followed „the thistle “, had however with the word joke always after the special guests in the public tooit respects which one, thus Peter Ensikat to it recognized immediately, “… that they began to only then laugh if the serve-set forward Nebenmann likewise did this. ”

Into the 1960er years were in West Germany above all Kabarettisten such as Wolfgang Neuss (“Neuss Germany”, “thoseVillon show "), Heinz Erhardt (“Noch'n poem”) or still highly respected Werner Finck (Kabarett “nebula horn” in Zurich), which opposed its word joke to the spirit of the time beside the large Kabarett ensembles from Duesseldorf, Munich and Berlin. End of the 1960er years split the student movementParts of the Kabaretts in Germany. Artists such as Hanns Dieter Hüsch became expenditure-whistled, because the students in you saw parts of the establishment.

Into the 1970er years developed new forms of the Kabaretts such as Dieter Hildebrandts kabarettistische TV-transmission „notes from the province “.Still into the outgoing 1980er years was political Kabarett in the Federal Republic outstanding part of the society criticism, flowered even after the combination of Federal Republic and GDR again briefly up. New artists like Frankfurt Matthias Beltz („provisional of Frankfurt front theatres“) or Mathias Richling set indications. Into the 1990er years the Kabarett was displaced however directly by several sides. The Comedy boom, the private television and the associated priority-setting of the public institutes and small becoming interest of the public provided fora decrease of Kabarettprogrammen. In the pool of broadcasting corporations only the transmission remained „to windshield wiper “(with Bruno Jonas, Mathias Richling and George scratch) in the program, the Second Channel of German Television done completely without kabarettistische transmissions. To third programs send regularly Kabarett (“crosswise”and “Ottis slaughterhouse” in the BR, “midnight points” in the WDR, “specially 3” in the NDR or “Richling - Zwerch meets skin” in the SWR).

The donation “ German Kabarettarchiv” promoted by the Federal Republic of Germany has its location in Mainz on the Rhine in the historical “provisions magazine”. ToRe-opening was opened at the same time the way of stars of the satire between the Mainzer forum theatre “House of Commons “and the “German Kabarettarchiv”: Bronze boards with a high-grade steel star, which contains the engraving of the signature mark of one from of the Kabarettgeschichte outstanding personality. To first belonged Werner Finck, truck Lorentz, Erich Kästner, briefly Tucholsky and Klabund. In addition, today there are still many good KabarettistInnen in Germany, so that it in the many national small art stages for the public further programs with wholedifferent numbers gives: Kabarett.

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Kabarettbühnen in Germany

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Kabarettbühnen inAustria

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Kabarettensembles in Switzerland

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Kabarett festivals

  • MON tender festival, Salzburg
  • Erlanger Kabarett days
  • international ones Kabarett days Leipzig
  • laughter fair, Leipzig
  • Oltner Cabaret days
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acquaintance Kabarettisten

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Kabarettpreise

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see also

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