List of the chamber-musical works Haydns

Joseph Haydn is considered as a founder of the chamber music kind caper quartet. Much to be played also its Streichtrios

table of contents 1 caper quartets 1,1 Opus 1 ,1,2 Opus 2 ,1,3 Opus 3 (authority disputed) 1,4 Opus 9 (1771) 1,5 Opus 17 (1771) 1,6 Opus 20, the sun quartets (1772) 1,7 Opus of 33 Russian quartets (1781) 1,8 Opus 42 (1785) 1,9 Opus of 50 Prussian quartets (1787) 1,10 Opus 51 (1787) 1,11 Opus 54, 55 (1788) 1,12 Opus 64 (1790) 1,13 Opus 71 Apponyi of quartets, 74 (1793) 1,14 Opus 76 (1799) 1,15 Opus 77 (1799) 1,16 Opus 103 (1803) 2 Klaviertrios 3 Streichtrios 3,1 Trios for 2 violins and Violoncello 3,2 Trio for violin, Viola and Violoncello 4 Streichduos 4,1 Duos for violin and Viola 4,2 Duos for 2 violins 4,3 Duos for violin and Violoncello 4,4 Duos for Baryton and Violoncello 4,5 Duos for 2 Barytone 4,6 Duos for piano and obligatory Violoncello 4,7 other Duos 5 chamber music for Bläser 6 other chamber music

of caper quartets

Joseph Haydn wrote altogether 83 quartets. Usually six quartets each are combined into a Opuszahl. Today the caper quartets are counted after section III of the Hoboken listing.

Opus 1

• quartet No. 1 in B Dur, OI. 1, No. 1, Hoboken No. 1
• quartet No. 2 into it Dur, OI. 1, No. 2, Hoboken No. 2
• quartet No. 3 in D Dur, OI. 1, No. 3, Hoboken No. 3
• quartet No. 4 in G Dur, OI. 1, No. 4, Hoboken No. 4
• quartet No. 5 into it Dur, OI. 1, No. 5, Hoboken No. 5
• quartet No. 6 in C Dur, OI. 1, No. 6, Hoboken No. 6

Opus 2

• quartet No. 7 in A Dur, OI. 2, No. 1, Hoboken No. 7
• quartet No. 8 in E Dur, OI. 2, No. 2, Hoboken No. 8
• quartet into it Dur, OI. 2, No. 3 (authority disputed), Hoboken No. 9
• quartet No. 9 in F Dur, OI. 2, No. 4, Hoboken No. 10
• quartet in D Dur, OI. 2, No. 5 (authority disputed) Hoboken No. 11
• quartet No. 10 in B Dur, OI. 2, No. 6, Hoboken No. 12

Opus 3 (authority disputed)

author probably Romanus Hoffstetter

• quartet in E Dur, OI. 3, No. 1, Hoboken No. 13
• quartet in C Dur, OI. 3, No. 2, Hoboken No. 14
• quartet in G Dur, OI. 3, No. 3, Hoboken No. 15
• quartet in B Dur, OI. 3, No. 4, Hoboken No. 16
• quartet in F Dur, OI. 3, No. 5, Hoboken No. 17
• quartet in A Dur, OI. 3, No. 6, Hoboken No. 18

Opus 9 (1771)

• quartet No. 11 in D Moll, OI. 9, No. 4, Hoboken No. 22
• quartet No. 12 in C Dur, OI. 9, No. 1, Hoboken No. 19
• quartet No. 13 in G Dur, OI. 9, No. 3, Hoboken No. 21
• quartet No. 14 into it Dur, OI. 9, No. 2, Hoboken No. 20
• quartet No. 15 in B Dur, OI. 9, No. 5, Hoboken No. 23
• quartet No. 16 in A Dur, OI., 9, No. 6, Hoboken No. 24

Opus 17 (1771)

• quartet No. 17 in F Dur, OI. 17, No. 2, Hoboken No. 26
• quartet No. 18 in E Dur, OI. 17, No. 1, Hoboken No. 25
• quartet No.19 in C Moll, OI. 17, No. 4, Hoboken No. 28
• quartet No. 20 in D Dur, OI. 17, No. 6, Hoboken No. 30
• quartet No. 21 into it Dur, OI. 17, No. 3, Hoboken No. 27
• quartet No. 22 in G Dur, OI. 17, No. 5, Hoboken No. 29

Opus 20, the sun quartets (1772)

• quartet No. 23 in f Moll, OI. 20, No. 5, Hoboken No. 35
• quartet No. 24 in A Dur, OI. 20, No. 6, Hoboken No. 36
• quartet No. 25 in C Dur, OI. 20, No. 2, Hoboken No. 32
• quartet No. 26 in g Moll, OI. 20, No. 3, Hoboken No. 33
• quartet No. 27 in D Dur, OI. 20, No. 4, Hoboken No. 34
• quartet No. 28 into it Dur, OI. 20, No. 1, Hoboken No. 31

Opus of 33 Russian quartets (1781)

the quartet are that 1781 in Vienna because-end Grand Duke Paul dedicated of Russia, therefore the surname.

With them Haydn created caper quartets of completely new type (“… on one gantz new special kind. ”). So the header records have an execution and to follow the Sonatenhauptsatzform. The Menuett was replaced by a Scherzo.

The Russian quartets excited large attention, particularly Mozart affected it much. Mozart wrote six quartets, among them the dissonance quartet, which mark the high point in the Mozarts' quartet work after Haydns model.

• Quartet No. 31 in h-moll, OI. 33, No. 1, Hoboken No. 37
• quartet No. 30 into it Dur (the joke), OI. 33, No. 2, Hoboken No. 38
• quartet No. 32 in C Dur (bird quartet), OI. 33, No. 3, Hoboken No. 39
• quartet No. 34 in B Dur, OI. 33, No. 4, Hoboken No. 40
• quartet No. 29 in G Dur (how are you?), OI. 33, No. 5, Hoboken No. 41
• quartet No. 33 in D Dur, OI. 33, No. 6, Hoboken No. 42

Opus 42 (1785)

• quartet No. 35 in D-moll, OI. 42, Hoboken No. 43

Opus of 50 Prussian quartets (1787)

those the king Friedrich II. from Prussia dedicated quartets develop the classical making music style further found in op.33. Based on a rather simple topic in the header records the motivische material is particularly verarbietet artful, whereby each instrument is equivalently treated.

Particularly the first quartet shows a motive for tri oil over a knocking bass, which determines the complete sentence in the first sentence.

The slow sentences reach a before not known Cantabilität.

• Quartet No. 36 in B Dur, OI. 50, No. 1, Hoboken No. 44
• quartet No. 37 in C Dur, OI. 50, No. 2, Hoboken No. 45
• quartet No. 38 into it Dur, OI. 50, No. 3, Hoboken No. 46
• quartet No. 39 in fis moll, OI. 50, No. 4, Hoboken No. 47
• quartet No. 40 in F Dur, OI. 50, No. 5, Hoboken No. 48
• quartet No. 41 in D Dur, OI. 50, No. 6, Hoboken No. 49

Opus 51 (1787)

• the sieved last words of our Erlösers at the cross, OI. 51 (Transkription of an orchestra work)

Opus 54, 55 (1788)

this and the following group (of OI. 64) Tost are dedicated buyer to the Viennese.

• Quartet No. 42 in C Dur, OI. 54, No. 2, Hoboken No. 57
• quartet No. 43 in G Dur, OI. 54, No. 1, Hoboken No. 58
• quartet No. 44 in E Dur, OI. 54, No. 3, Hoboken No. 59
• quartet No. 45 in A Dur, OI. 55, No. 1, Hoboken No. 60
• quartet No. 46 in f moll (razor quartet), OI. 55, No. 2, Hoboken No. 61
• quartet No. 47 in B Dur, OI. 55, No. 3, Hoboken No. 62

Opus 64 (1790)

• quartet No. 48 in C major, OI. 64, No. 1, Hoboken No. 63
• quartet No. 49 in h-Moll, OI. 64, No. 2, Hoboken No. 64
• quartet No. 50 in B major, OI. 64, No. 3, Hoboken No. 65
• quartet No. 51 in G major, OI. 64, No. 4, Hoboken No. 66
• quartet No. 52 in D major (lark quartet), OI. 64, No. 5, Hoboken No. 67
  1. Allegro moderato
  2. Adagio cantabile
  3. Menuetto
  4. final

• quartet No. 53 in E flat major, OI. 64, No. 6, Hoboken No. 68

Opus 71 Apponyi of quartets, 74 (1793)

• quartet No. 54 in B Dur, OI. 71, No. 1, Hoboken No. 69
• quartet No. 55 in D Dur, OI. 71, No. 2, Hoboken No. 70
• quartet No. 56 into it Dur, OI. 71, No. 3, Hoboken No. 71
• quartet No. 57 in C Dur, OI. 74, No. 1, Hoboken No. 72
• quartet No. 58 in F Dur, OI. 74, No. 2, Hoboken No. 73
• quartet No. 59 in g Moll (rider quartet), OI. 74, No. 3, Hoboken No. 74

Opus 76 (1799)

you are dedicated to the count Erdödi, therefore they are called also Erdödi quartets. Like already in the preceding group these quartets are no longer only for a small listener circle written separate for the concert hall. In the group one finds the most well-known Streichqartett Haydns: the emperor quartet with the variations over God receives Franz, the emperor, the Austrian Kaiserhymne and to later Germany song.

On mutopia the notes are available.

• Quartet No. 60 in G major, OI. 76, No. 1, Hoboken No. 75
  1. Allegro con spirito
  2. Adagio sostenuto
  3. Menuet. Presto
  4. final. Allegro non troppo
• quartet No. 61 in D-moll, OI. 76, No. 2 (Quintenquartett), Hoboken No. 76
  1. Allegro
  2. Andante o piu tosto Allegretto
  3. Menuetto
  4. final. Vivace Assai
• quartet No. 62 in C major OI. 76, No. 3 (emperor quartet), Hoboken No. 77
  1. Allegro
  2. Poco Adagio. Cantabile - Vr. I-IV
  3. Menuetto
  4. final. Presto
• quartet No. 63 in B major, OI. 76, No. 4 (sunrise), Hoboken No. 78
  1. Allegro con spirito
  2. Adagio
  3. Menuet. Allegro
  4. final. Allegro mA non troppo
• quartet No. 64 in D major, OI. 76, No. 5, Hoboken No. 79
  1. Allegretto - Allegro
  2. Largo cantabile e mesto
  3. Menuetto
  4. final. Presto
• quartet No. 65 in E flat major, OI. 76, No. 6, Hoboken No. 80
  1. Allegretto - Allegro
  2. Fantasia. Adagio
  3. Menuetto
  4. final. Allegro Spirituoso

Opus 77 (1799)

• quartet No. 66 in G Dur, OI. 77, No. 1, Hoboken No. 81
• quartet No. 67 in F Dur, OI. 77, No. 2, Hoboken No. 82

Opus 103 (1803)

• quartet No. 68 in D Moll, OI. 103, Hoboken No. 83 (incompletely)

Klaviertrios

• Trio in g-Moll (Partita), Hob.XV: 1 (1766): Piano, violin and Violoncello

• Trio in F major, Hob.XV: 2 (1769): ----

• Trio in C major, op.40, Nr.1, Hob.XV: 3 (1784): ----
• Trio in F major, op.40, Nr.2, Hob.XV: 4 (1784): ----
• Trio in G major, op.40, Nr.3, Hob.XV: 5 (1784): ----

• Trio in G major, op.43, Nr.1, Hob.XV: 6 (1784/85): ----
• Trio in D major, op.43, Nr.2, Hob.XV: 7 (1784/85): ----
• Trio in B major, op.43, Nr.3, Hob.XV: 8 (1784/85): ----

• Trio in A major, op.44, Nr.1, Hob.XV: 9 (1785): ----
• Trio in E flat major, op.44, Nr.3, Hob.XV: 10 (1785): ----

• Trio in E flat major, op.57, Nr.1, Hob.XV: 11 (1789): ----
• Trio in e-Moll, op.57, Nr.2, Hob.XV: 12 (1789): ----
• Trio in C-Moll, op.57, Nr.3, Hob.XV: 13 (1789): ----

• Trio in A flat major, op.68, Hob.XV: 14 (1790): ----

• Trio in G major, op.67, Nr.1, Hob.XV: 15 (1790): Piano, flute and Violoncello
• Trio in D major, op.67, Nr.2, Hob.XV: 16 (1790): ----

• Trio in F major, op.73, Hob.XV: 17 (1790): ----

• Trio in A major, op.78, Nr.1, Hob.XV: 18 (1794): Piano, violin and Violoncello
• Trio in g-Moll, op.78, Nr.2, Hob.XV: 19 (1794): ----
• Trio in B major, op.78, Nr.3, Hob.XV: 20 (1794): ----

• Trio in C major, op.79, Nr.1, Hob.XV: 21 (1794/95): ----
• Trio in E flat major, op.79, Nr.2, Hob.XV: 22 (1794/95): ----
• Trio in D-Moll, op.79, Nr.3, Hob.XV: 23 (1794/95): ----

• Trio in D major, op.82, Nr.1, Hob.XV: 24 (1795): ----
• Trio in F sharp major, op.82, Nr.2, Hob.XV: 25 (1795): ----
• Trio in f-Moll, op.82, Nr.3, Hob.XV: 26 (1795): ----

• Trio in C major, op.86, Nr.1, Hob.XV: 27 (1797): ----
• Trio in E major, op.86, Nr.2, Hob.XV: 28 (1797): ----
• Trio in E flat major, op.86, Nr.3, Hob.XV: 29 (1797)----

• Trio in E flat major, op.89, Hob.XV: 30 (1795): ----

• Trio in it-Moll, op.53, Hob.XV: 31 (1795): ----

• Trio in G major, op.75, Hob.XV: 32 (1793/94): ----

• Trio in D major (Divertimento), Hob.XV: 33 (1759: lost gone!): ----

• Trio in E major (Partita), Hob.XV: 34 (1759): ----

• Trio in A major (Capriccio), Hob.XV: 35 (1759): ----

• Trio in 2 Barytone and Basso Continuo [work on

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Duos for piano and obligatory Violoncello

• duo in B major, op.94, Nr.1, Hob.XVa: 1 duo in D major

, op.94, Nr.2, Hob.XVa: 2

duo in C major

• , op.94, Nr.3, Hob.XVa: 3 [work on

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other Duos

• duo in G major, Hob.XII: 6 (1770) duo in D major (solo one)

, Hob.XII: 13 (1770: lost gone!)

Duo in D major (solo one)

• , Hob.XII: 14 (1770: lost gone!) Duo in G major (Divertimento), Hob.XII: 20 (1765: lost gone!)

Duo in D major (Divertimento)

, Hob.XII: 21 (1765: lost gone!)

• Duo in A major (Divertimento), Hob.XII: 22 (1765: lost gone!)

Duo in D major (Divertimento)

, Hob.XII: 23 (1765: lost gone!)

• Duo in D major (Cassation), Hob.XII: 24 (1765)

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chamber music for Bläser

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other chamber music