Theatre criticism
Theatre criticism is occupied with the critical reporting (Review) of pieces of stage in . Theatre critic are usually as Journalist transacts Critic, those above all the new productions them accessible of the stages for those Press observe and in Feuilleton on it report.
Before the invention of the television theatre critics were institutions, also multilateral newspaper articles were permitted to which over premieres and their consequences. Frequently you worked beside your Kritikerprofession as writers, journalist, booksellers, theatre manager or a director.
Who is concerned seriously with the topic, becomes the term Theatre criticism avoid and of Review[ 1 ] speak. Because the letter over theatre performances criticism as element (a subjective evaluation/evaluation thus) to contain can and is. But a review is a conglomerate from many different journalistic style forms (representational forms). It is amazing, as little theoretical material is to the topic theatre criticism (for example of the training of journalists) on the market.
Important theatre critics in Germany
- (1819-1898), u.A. Critic that Vossi newspaper, Berlin
- Gubitzen, critics of the Vossi newspaper, Berlin
- Paul Schlenther
- Petrol Brahm (1856-1912), member in the association Free stage
- Theodor Wolff, visitors in the poet club Tunnel, Brahm created the magazine with petrols Free stage later renamed in New round rundschau.
- Fritz Mauthner, visitors in the poet club Tunnel
- Theatre manager, Editor-in-chief (Berlin court newspaper) and critics Adolph L'Arronge
- Maximilian Harden, Kamarilla enemy and member in that Free stage
- Paul Schlenther
- Writer and critic Paul Stettenheim, member in the association Free stage. At this stage one can - loud Kladderadatsch - pass because schweinestall, only with zugehaltener nose; the association overacted the official citizens of Berlin and Viennese Censorship u. A. by juicy theatre scandals (z.B. Before sunrise: of in that Vossi newspaper enthusiastisch criticizes, under ungnaedigem Brauenrunzeln of the dominant Hohenzollern.)
- OSCAR Blumenthal, theatre critic of the Berlin day sheets, the bloody OSCAR was also a theatre manager of the Lessingtheaters.
- (1867-1948)
- Karl remain-faithfully
- Conrad Alberti
- Ferdinand Avenarius
- Gerhard Stadelmaier
- Siegfried Jacobsohn (1881-1926)
- (1911-1990)
- William Ringelband (1921-1981), as founders of the Gertrud Eysoldt ring bekannnt
- George Hensel (1923-1996)
- Henning Rischbieter
- Benjamin Henrichs
- Michael Merschmeier (* 1953) since 1981 editor Theatre today
