Zeichentrickfilm
of a Zeichentrickfilm (Trickfilm) designs einzelbildweise are taken up, which differ from picture to picture from each other. As film one behind the other played, the frames the brain appear as movement. The technology functions therebysimilarly as in the thumb cinema, where successive designs in a book appear when paging through as animation.
Indication trick elements can interact also with material film (Roger Rabbit), or in intermediate sequences, pre and remove arise (the rose-pink Panther).
In that Cinema production becomes handdrawn animation since end of the 1990er - years by computer animation displaces. In TV and child film as well as in Anime - the classical indication trick technology, supplemental by computer engineering, plays productions also further an important role. The world-wide indication trick film industry constantly grows, because the needat new program contents by new selling ways such as Home video and - DVD as well as Internet grew. Also in the advertisement as well as in the art or Kurzfilm indication trick has its firm place.
The indication trick flat figure and shears cut film are related. These techniques become recently throughComputer programs like “Flash”, “Animo”, “Moho” among other things facilitated. The whole range is called “2-D-Animation”, in contrast to the “3-D-Animation” (cgi - animation) and to object animations such as dolls - or special trick or Claymation.
Table of contents |
history
the first drawn films created the Frenchman Emile Reynaud alsoAssistance of the Praxinoskops developed by it. it placed its first to 1892 with this procedure, which was considered as a forerunner of the cinematography, animated pictures forwards. 1906 are considered as the birth year of the Zeichentrickfilms, as the Americans J. Stuart Blackton with Humorous PhasesOF Funny Faces its first completely animated film presented. Later the Frenchman Emile Cohl published two years its first abstract Zeichentrickfilme, with which he drew still directly on film strips.
The films of the caricaturist Winsor McCay , that became particularly popular and created 1914 with Gertie the Dinosaur the first popular indication trick figure converted 1911 its Comicreihe Little Nemo in a Kurzfilm. In the consequence at the beginning of the 20's developed many Studios, the their most well-known from max butchers (Koko the clown, Betty Boop, Popeye), Pat Sullivan (Felix the Cat) and roll Disney (Micky mouse) were. In this Studios developed from the alone working Animator the arbeitsteilige system of specialists, which exists until today. Thatfirst Zeichentrickfilm in feature length was the Argentine film “El Apóstol” from the year 1917, by which however all copies were destroyed 1926 with a fire.
technical development
at the beginning the designs became still direct under the cameraput. For instance starting from 1920 they were transferred to foil (“Cels”), which background aufwändigere made possible. 1928 were added the clay/tone, starting from 1930 the color. 1933 developed the ingenious inventor and draughtsman practice Iwerks, which had worked until 1930 for Disney,the multi-plan camera, with the flat background designs on different levels to be independently moved knew and so a more spatial impression produced. In the 50's Iwerks adapts the Xerox Kopiersystem such that the designs could be copied directly on foil, whichthe smooth Outline replaced and a raueres Cleanup to the consequence had. Stephen Bosustov developed the “Limited animation” with UPA; in order to have to draw not constantly complete figures again, it partitioned the figure on several levels and adapts so the indication trickfor the smaller budgets of the television.
The computer drew relatively late into the indication trick world, first into the camera area, where starting from 1970 camera travels by the computer were calculated approximate and implemented. In the 90's a scanning replaced earlier copyingthe designs; following work procedures such as Colorieren and camera took place now in the computer. Heutige Produktionssysteme in großen Studios automatisieren möglichst viele Arbeitsgänge, aber immer noch ist Zeichentrickfilm vor allem ein Handwerk, das mit Bleistift und Papier ausgeübt wird. At oneevening-filling Zeichentrickfilm work about 100 to 400 humans, and several ten thousand designs are made.
work engineerings
the classical work routine of large Studios begins with a film script and the draft of the acting figures. The film script is basis for thatStoryboard, in which for each attitude at least a design stands, from which camera focusing, movement of the figures and kind of the background are recognizable. After the Storyboard layouts are drawn, in the size, in which both Animatoren and background artists work.For each figure exists modelsheet, which represents the collecting main for all draughtsmen.
Usually, if the film script is complete, the speakers of the figures are accepted. The finished dialogues become of the TRACK reader (nowadays often a software) sound for sound inthe X-Sheets (“exposure sheets”) registered. That X-sheet is an frame-exact film script for each individual attitude, which is obligatory on the Animator and the cameraman. In it all camera movements become, above all however the temporal operational sequence apart from the dialogue (Timing) the movements of the figures held.
The Animator receives the Storyboard, the necessary Modelsheets, a copy of the layout and the X-Sheet. It sketches now with some sketchy designs the stand of the animation, the “Keyframes” or Hauptphasen. Those are those designs,those the movement define. In order to examine its work, it takes up it with the LINE tester, a software, which plays taken up designs on a computer by video camera. It can shift each design so long in the time, until thatTiming fits. If the Animator and the director with the scene are content, “rough the animation” goes to the assistant of the Animators. That draws “cleanups”, thus fair designs of the Keyframes, faithfully after the defaults of the Modelsheets, and adds possibly. “breakdowns” in addition. Thatare designs between the Keyframes, which define the movement still more exactly. The increasing pile paper arrives now at the Inbetweener or intermediate phase draughtsman, which inserts the still which are missing designs between existing the already.
For normal movements 12 designs per second are sufficientFilm, with extremely fast, or movements across the picture needs it already times 24 designs, so that no Rotoskop effect arises. The standard such as z. B. with Disney lies when approximately 18 designs per second. TV-series come in parts with 6 designs perSecond out. Sometimes many designs per second are also not necessary, as with particularly illustrated fixed images in the art film or as picture stories.
If all designs are present, the scene is several times tested and decreased, it can be coloriert. In former times all designs becameto foil or copy and these transfer then by hand on the back painted. Nowadays the Colorieren takes place ever more in the computer. The Colorist works then on the screen with in-scanned designs. Animation software can automate thereby much, by handthe first picture of a scene is only coloriert - which computer coloriert all further phases - afterwards naturally possible errors corrected.
In the meantime background painted. In former times met background with the painted foils underthe camera again, today also they are painted even whole in-scanned, or at the computer. Arranging (“Compositing “) the different parts of the animation over the background offers opportunity to insert still special effects. If all individual parts are inserted, the scene is gerendertand either digitally stored or on Zelluloid - film out-exposes.
background
many Zeichentrickfilme, in particular Disney films are based on fairy tale (Schneewittchen, Aschenputtel, the small sea virgin), legends and/or. Myths (Robin Hood, Hercules) or uphistorical novels (the jungle book, the Glöckner of Notre Dame). But while above all roll yourself Disney at fairy tales as sources for the first Zeichentrickfilme oriented, developed also Zeichentrickfilme, whose stories were written particularly for the film. ThereZeichentrickfilme of children as an important target group have, adhere contents of the films not always to its source and it adjustments regarding a Happy end or made the death of characters. Adults spectators become with these filmsoften also on another level addressed, z. B. by jokes, which would escape a child. Here Japanese Zeichentrickfilme, Animes so mentioned, which want to address a broad public just like the Disney films, form an exception however usuallywithout adjustments for a recent public do.
examples
| title | collecting main | type of collecting main | |
|---|---|---|---|
| the king of the lions | Hamlet | of William Shakespeare | drama |
| Arielle, the sea virgin | the small sea virgin | of Christian Andersen one | fairy tale |
| Schneewittchen and the seven dwarves | Schneewittchen | ofthe brothers Grimm | fairy tale |
| Mulan | Mulan | China | legend |
| the prince of Egypt | Bible | exodus of the Jews from Egypt | religious one legend |
| Aladdin | Aladdin and the miracle lamp | fairy tale from 1001 night | fairy tale |
plate
the following statements become again and again overZeichentrickfilme set up:
- „Zeichentrickfilme are for adults uninteresting “
Zeichentrickfilme particularly in the today's time as child stuff dismissed, which is not worth it, will be regarded. This plate is to be due particularly to walter Elias Disney, that its Zeichentrickfilme predominantfor the recent public sketched. A great many Zeichentrickfilme are cut to children, in addition, for adults interesting, like e.g. Ice Age and Ice Age 2. In addition, some few exclusively give themselves, to adults the publicarrange.
- „Zeichentrickfilme from Japan are too brutal and for smaller children unsuitable “
the cause of many plates at Trickfilmen are the Anime (Trickfilme from Japan), which is also hated in Europe meanwhile well-known, famous, but in some circles. Anime becomeon the side because of partly enormous force representations criticized, on the other side they are avoided because of exaggerated niceness. Both statements are partially justified, but may not not be generalized them. During the condemnation of Animes also mostly one forgets,that the classical Trickfilme come such as Heidi , Wickie and the strong men and the bee Maja everything from Japan and are thus also Anime.
- „Zeichentrickfilme are always merry, but never sadly “
this applies frequently, but there are exceptionsalso here. Like that is z. B. the anti-war film the last Glühwürmchen of Isao Takahata a Trickfilm, which does not move humoristic elements contained and on the level of a tragedy. There are also Trickfilme, both category (comedy and tragedy) unite into one another. Also here Anime are to be particularly emphasized.
Zeichentrickfilme today
the production of evening-filling Zeichentrickfilmen for the cinema in the last years decreased/went back little. The success of Pixar and other producer of cgi animated films moved Disneyto produce, no classical Zeichentrickfilme more. With the cows are the matter!Disney is to have produced the provisionally last cinema indication trick film. Also different Studios are affected by the reorientation of their backers away by the 2-D, to the 3-D-Film, although economic successPixars rather in its contentwise and artistic Virtuosität justified lies.
World-wide further long Zeichentrickfilme are produced nevertheless, above all however TV serials. Disney operates Studios in Japan and Australia, which work in classical technology mainly for the increasing Home video market. InJapan (z. B.Studio Ghibli), Korea (z. B. Sec. Trickfilmstudios in North Korea), Taiwan and China grows the trick film industry, which either when suppliers for European and American companies works or supplied with productions in self-direction the domestic market. Outstanding one artistic personalities such as Hayao Miyazaki refuse themselves in principle to the 3-D-Boom: „We used the technology, which looks graphically best. And signatures are in addition still the most suitable method. “
Become in Europe owing to the Cartoon program of the European Union in the last yearsstrengthens evening-filling Zeichentrickfilme manufactured, most of it for children.
international important persons
- Winsor McCay (1867 - 1934), caricaturist and Comic - draughtsman, developed the bases of the indication trick film technology. The success of its Trickfilms Gertie the Dinosaur in the year 1914 led to the establishment of the first professional Zeichentrickstudios.
- Roll Disney (1901 - 1966), US-American Trickfilmer. It applies for Laugh O Grams “nearly already among its fans as „American Hayao Miyazaki “, created it nevertheless already 1922 the fairy tale trick film series „, a little later the indication trick figure Oswald the Lucky Rabbit and 1928 together with do not practice Iwerks the legendary Mickey Mouse as well as min ever Mouse (1928), Pluto (1930), Goofy (1932) and Donald duck (1934).
- Paul Grimault (1905 - 1994), French Zeichentrickfilmer (largest success: The king andthe bird).
- Tex Avery (1908 - 1980), US-American Trickfilmer, broke with the exclusive dominance of the Disney style. Inventors of nose Bunny and Daffy duck.
- Don Bluth (geb. 1938), US-American Trickfilmer (largest successes: Feivel of the Mauswanderer, A country before our time).
- Ralph Bakshi (geb. 1938), trick film director and - film script author of Fantasyfilmen (z. B. The master of the rings 1980, the last Einhorn, fire and ice) as well as numerous socialcritical Trickfilme (z. B. Fritz the Cat, Coonskin - black hate).
- Leiji Matsumoto (geb. 1938) responsible for many important Mecha - Animeserien (space Battleship Yamato, the queen of the 1000 years)
- William Hanna and Joseph Barbera, Kreateure manifold classical Cartoonserien (Family flint, the Jetsons, Scooby Doo, Tom and Jerry, the Schlümpfe u.v.m.)
- Charles M. Schulz (* 1922 † 2000), inventors of the Peanuts
- Hayao Miyazaki (geb. 1941), Japanese Anime - director and OSCAR - winner. The draughtsmanDisney is considered to the indication trick series of Heidi “as „Japanese rolls, and its film Chihiros journey to the charm country is the usually-excellent Trickfilm of all times.
- Hideaki anno (geb. 1960), joint founders Studio of the Gainax, director of the high-praised Anime neon genesis Evangelion.
- Bill Plympton (geb. 1946), draughtsman von Filmen like „Mutant Alien “or „The Tune “.
- Matt Groening (geb. 1954), inventors of the cult indication trick series „The Simpsons “and „Futurama “.
- Osvaldo Cavandoli (geb. 1920) Inventor of the indication trick figure La Linea.
- Osamu Tezuka (* 1928 † 1989) creator of astro Boy and Kimba, to which white lion is considered, as a “God father of the Manga “, which even Disney inspired.
- Naoko Takeuchi (geb. 1967), Erfinderin of Sailor Moon,the Animeserie and thus, most successful outside of Japan, most successful non-American indication trick series
- of Akira Toriyama (geb. 1955), inventors of world successes Dragonball and Dr. Slump
- Isao Takahata (geb. 1935), founders of Nippon animation and joint founder of Studio Ghibli, mainresponsible for that World Masterpiece theatre
- Rolf Kauka (* 1917 † 2000), creators of the only internationally spread German Cartoonserie fixed and Foxi
- Gosho Ayoma (* 1963), creators of the Animeserie “detective Conan “(since 1996) in the main role of ShinichiKudo alias Conan Edogawa. It covers 10 motion picture films Rumiko Takahashi (* 1957) since 1996 (start) until today March 2006 to to
- the 427 consequences and starting from April, Schöpferin of the popular Animeserien “Ranma 1/2 “and” Inu Yasha". Disere series are international both in Japan and cult.
indication trick and animated films in the cinema format
Disney
see also list of the Disney films
| of German titles | original title | direction | year |
|---|---|---|---|
| Steamboat Willie | Steamboat Willie | practice Iwerks | 1928 |
| Schneewittchen and the seven dwarves | Snow White and the Seven Dwarfs | David D. Hand | 1937 |
| Pinocchio | Pinocchio | Ben Sharpsteen/Hamilton Luske | 1940 |
| Fantasia | Fantasia | Ben Sharpsteen | 1940 |
| the Drache against will | The Reluctant Dragon | Hamilton Luske | 1941 |
| Dumbo | Dumbo | Ben Sharpsteen | 1941 |
| Bambi | Bambi | David D. Hand | 1942 |
| Donald duck - three Caballeros in the Samba fever | Saludos Amigos | Bill Robert/Jack Kinney/Hamilton Luske/Wilfred Jackson | 1943 |
| three Caballeros | The Three Caballeros | Norman Ferguson | 1945 |
| laughter concert in duck living | Make mine music | Jack Kinney/Clyde Geronimi/Hamilton Luske/BobCormack/Josh Meador | of 1946 |
| uncles Remus' miracle country | Song OF the South | Wilfred Jackson | 1946 |
| Mickey, Donald & Goofy in the fairy tale country | Fun and Fancy Free | Jack Kinney/Hamilton Luske/Bill Robert | 1947 |
| melody dance rhythm | Melody Time | Clyde Geronimi/Wilfred Jackson/Hamilton Luske/Jack Kinney | 1948 |
| championsto falling in love | so Dear ton of My Heart | Hamilton Luske | 1949 |
| the adventures of Ichabod and Taddäus toad | The Adventures OF Ichabod and Mr. Toad | Jack Kinney/Clyde Geronimi/James Algar | 1949 |
| Cinderella | Cinderella | Wilfred Jackson/Hamilton Luske/Clyde Geronimi | 1950 |
| Alice in the miracle country | Alicein Wonderland | Clyde Geronomi/Hamilton Luske/Wilfred Jackson | 1951 |
| Peter Pan | Peter Pan | Hamilton Luske/Clyde Geronimi/Wilfred Jackson | 1953 |
| Susi and Strolch | lady and the Tramp | Hamilton Luske/Clyde Geronimi/Wilfred Jackson | 1955 |
| Dornrö and the prince | Sleeping Beauty | Clyde Geronimi | 1959 |
| 101 Dalmatiner | OneDog-talk and One Dalmatians | Wolfgang Reitherman/Hamilton Luske/Clyde Geronimi | 1961 |
| the witch and the Zauberer | The Sword in The Stone | Wolfgang Reitherman | 1963 |
| Mary Poppins | Mary Poppins | Robert Stevenson | 1964 |
| the jungle book | The Jungle Book | Wolfgang Reitherman | 1967 |
| Aristocats | The Aristocats | Wolfgang Reitherman | 1970 |
| the daring witch in its flying bed | Bedknobs and Broomsticks | Robert Stevenson | 1971 |
| Robin Hood | Robin Hood | Wolfgang Reitherman | 1973 |
| the adventures from Vienna never Puuh | The Many Adventures OF Vienna never the Pooh | Wolfgang Reitherman/John Lounsbery | 1977 |
| Berne pool of broadcasting corporationsand Bianca - the mouse police | The Rescuers | Mike Gabriel/Hendel Butoy | 1977 |
| Elliot, the Schmunzelmonster | Pets's Dragon | Don Chaffey | 1977 |
| Cap and Capper | The Fox and the Hound | kind of Stevens/Ted Berman | 1981 |
| Oz - a fantastic world | Return ton of Oz | Walter Murch | 1985 |
| Taran and the charm boiler | The Black Cauldron | Ted Berman/Richard smell | 1985 |
| Basil, the large mouse detective | The Great Mouse Detective | John Musker/Ron Clements | of 1986 |
| olive and cost. | Olive and company | George Scribner | 1988 |
| Arielle, the sea virgin | The LittleMermaid | John Musker/Ron Clements | 1989 |
| of ducking valley: Hunter of the lost lamp | of ducking valley: The Movie (Treasure OF the draws to Lamp) | Bob Hathcock | 1990 |
| Berne pool of broadcasting corporations and Bianca in the Känguruhland | The Rescuers down Under | Hendel Butoy/Mike Gabriel | 1990 |
| the beautiful one and the beast | Beautyand the Beast | Gary Trousdale/Kirk meadow | 1991 |
| Aladdin | Aladdin | John Musker/Ron Clements | 1992 |
| the king of the lions | The Lion King | Roger Allers | 1994 |
| the Goofy film | A Goofy Movie | Kevin Lima | 1995 |
| Pocahontas | Pocahontas | Mike Gabriel/Eric gold mountain | 1995 |
| James andthe giant peach | James and the Giant Peach | Henry Selick | 1996 |
| the Glöckner of Notre Dame | The Hunchback OF Notre Dame | Gary Trousdale/Kirk meadow | 1996 |
| Hercules | Hercules | Ron Clements/John Musker | 1997 |
| Mulan | Mulan | Barry Cook/Tony Bancroft | 1998 |
| Doug - the 1.Film | Doug's 1st Movie | Maurice Joyce | 1999 |
| Tarzan | Tarzan | Kevin Lima/Chris bend | 1999 |
| Fantasia 2000 | Fantasia 2000 | James Algar/Gaetan Brizzi/Paul Brizzi/Hendel Butoy/Francis Glebas/Eric Goldberg/Pixote Hunt/Don cock | 1999 |
| Tiggers large adventure | The Tigger Movie | June falcon stone | of 2000 |
| dinosaurs | Dinosaur | Ralph Zondag/EricLeighton | 2000 |
| a kingdom for a Lama | The Emperor's new Groove | Mark of Dindal | 2000 |
| of Disney large one break - the secret mission | Recess: School's Out | Chuck Sheetz | 2001 |
| Atlantis - the secret of the lost city | Atlantis: The draws to Empire | Gary Trousdale/KirkMeadow | 2001 |
| Peter Pan of 2 - new adventures in Nimmerland | Return ton of Never country | Robin Budd | 2002 |
| Lilo & Stitch | Lilo & Stitch | Dean Deblois/Chris of Sanders | 2002 |
| the treasure planet | Treasure planet | John Musker/Ron Clements | 2002 |
| the jungle book 2 | The JungleTo Book 2 | Steve Trenbirth | 2003 |
| of piglet large adventure | Piglet's BEND Movie | Francis Glebas | of 2003 |
| bear brothers | bread ago Bear | Aaron Blaise/Robert Walker | 2003 |
| of Disney class dog - the film | Teacher's Pet | Timothy Bjorklund | 2004 |
| the cows are the matter! | Home on the rank | JohnSanford/does not want Finn | 2004 |
| Heffalump - a new friend for Vienna ever Puuh | Pooh's Heffalump Movie | franc Nissen | of 2005 |
| skies and chicken | Chicken Little | Mark of Dindal | 2005 |
Pixar
| of German titles | original title | direction | year |
|---|---|---|---|
| Toy story | Toy story | John leaving | 1995 |
| large crawling | A Bug's would run | John leaving | 1998 |
| Toy story 2 | Toy story 2 | John leaving | 1999 |
| the monsters AG | of monster, Inc. | Peter Docter | 2001 |
| finds Nemo | Finding Nemo | Andrew Stanton | 2003 |
| the unbelievable | The Incredibles | Brad Bird | 2004 |
| cars like we | Cars | John leaving | 2006 |
Dreamworks
| of German titles | original title | direction | year |
|---|---|---|---|
| Antz | Antz | Eric Darnell/Tim Johnson | 1998 |
| the prince of Egypt | The Prince OF Egypt | Brenda Chapman/Steve Hickner/Simon Wells | 1998 |
| the way after ElDorado | The Road ton of El Dorado | Bibo Bergeron/wants Finn/Jeffrey Katzenberg/Don Paul/David Silverman | 2000 |
| Chicken run - hens running | Chicken run | Peter Lord/nod park | 2000 |
| Joseph - king of the dreams | Joseph: King OF Dreams | Robert C. Ramirez/Rob LaDuca | 2000 |
| Shrek- The daring hero | Shrek | Andrew Adamson/Victoria Jenson | 2001 |
| mirror-image-guessed/advised - the wild Mustang | mirror-image-guessed/advised: Stallion OF the Cimarron | Kelly Asbury/Lorna Cook | 2002 |
| Sinbad: The gentleman of the seven seas | Sinbad: Putting OF the Seven Seas | Tim Johnson/Patrick Gilmore | 2003 |
| Shrek2 - The daring hero turns back | Shrek 2 | Andrew Adamson/Kelly Asbury/Conrad Vernon | of 2004 |
| large sharks - small ones of fish | Shark Tale | Bibo Bergeron/Vicky Jenson | 2004 |
| Madagascar | Madagascar | Eric Darnell/Conrad Vernon | 2005 |
Warner Bros.
| German title | original title | direction | Year |
|---|---|---|---|
| space Jam | space Jame | Joe Pytka | 1995 |
| Danny of the Kater - four paws conquer Hollywood | Cats Don't thanks | Mark of Dindal | 1996 |
| the magic sword - the legend of Camelot | Quest for Camelot | Frederik you Chau | 1998 |
| the giant outthe universe | The Iron Giant | Brad Bird | 1999 |
| Pokémon - the film | Pokémon the roofridge Movie: Mewtwo Strikes bake | Michael Haigney | 1999 |
| Pokémon 2 - the power of the individual | Pokémon 2000: The Movie | Michael Haigney | 2000 |
| Pokémon 3 - inSpell unknown quantities | of the Pokémon 3: The Movie | Kunihiko Yuyama | 2001 |
| Osmosis Jones | Osmosis Jones | Bobby Farrelly/Peter Farrelly | 2001 |
| Powerpuff Girls - the film | The Powerpuff Girls Movie | Craig McCracken/John McIntyre/Genndy Tartakovsky | 2002 |
| Looney Tunes: Bake in Action | LooneyTunes: Bake in Action | Joe Dante | 2003 |
| the polar express | The polar express | Robert Zemeckis | 2004 |
Don Bluth
| of German titles | original title | direction | year |
|---|---|---|---|
| Mrs. Brisby and the secret of Nimh | The Secret OF NIMH | Don Bluth | 1982 |
| ina country before our time | The country before Time | Don Bluth | 1988 |
| Charlie - all dogs come into the sky | universe Dogs Go ton of Heaven | Don Bluth | 1989 |
| skirt A Doodle | skirt A Doodle | Don Bluth | 1992 |
| Däumeline | Thumbelina | Don Bluth/Gary Goldman | 1994 |
| the Zaubertroll | A Troll in cent ral park | Don Bluth/Gary Goldman | 1994 |
| Hubi, the penguin | The Pebble and the Penguin | Don Bluth/Gary Goldman | 1995 |
Amblin Entertainment
| of German titles | original title | direction | year |
|---|---|---|---|
| Feivel, thatMauswanderer | at American Tail | Don Bluth | 1986 |
| wrong play with Roger Rabbit | Who Framed Roger Rabbit | Robert Zemeckis | 1988 |
| in a country before our time | The country Before Time | Don Bluth | 1988 |
| Feivel, the Mauswanderer in the wild west | at AmericanTail: Fievel Goes west | Phil Nibbelink/Simon Wells | 1991 |
| 4 Dinos in New York | We're bake! A Dinosaur's story | thickly Zondag/Ralph Zondag/Phil Nibbelink/Simon Wells | 1993 |
| Balto - a dog with the heart of a hero | Balto | Simon Wells | 1995 |
Nickelodeon
| of German titles | original title | direction | year |
|---|---|---|---|
| of reprimanding advice - the film | The of reprimanding advice Movie | Igor Kovalyov/Norton Virgien | 1998 |
| of reprimanding advice in Paris - the film | of reprimanding advice in Paris: The Movie | stairs Bergqvist/Paul De Meyer | 2000 |
| Jimmy neutron - the courageous inventor | JimmyNeutron: Boy genius | John A. Davis | 2001 |
| reprimanding advice on axle | of reprimanding advice Go game | John close/Norton Virgien | 2003 |
| SpongeBob sponge head - the film | The SpongeBob SquarePants Movie | Stephen Hillenburg/Sherm Cohen/Carl H.Greenblatt | 2004 |
German Zeichentrickfilme
| title | direction | Studio | Year |
|---|---|---|---|
| Werner - leg hard! | Gerhard cock | Constantin | 1990 |
| Felidae | Michael Schaack | UFA | 1994 |
| Bobo and the hare gang | Tibor Hernádi/Jenö Koltai | Columbia | 1995 |
| Werner: That must encircle | Udo Beissel/Gerhard cock/Michael Schaack | Constantin | 1996 |
| small asshole - the film | Michael Schaack /Veit Vollmer | senator | 1997 |
| Tobias Totz and its lion | Thilo count Rothkirch/Piet De Rycker | Warner Bros. | 1999 |
| Werner - full Rooäää!!! | Gerhard cock | Constantin | 1999 |
| Käpt'n blue bear - the film | Hayo Friday | UFA | 1999 |
| command Störtebeker | Michael Schaack/Ute von Münchow Pohl | Buena Vista | 2001 |
| the small polar bear | Thilo count Rothkirch/Piet De Rycker | Warner Bros. | 2001 |
| Momo | Enzo D'Alò | UFA | 2001 |
| Werner - Gekotzt becomes later! | Hayo Friday Michael Schaack | Constantin | 2003 |
| Till Eulenspiegel | Eberhard Junkersdorf | 2003 | |
| Lauras star | Thilo count Rothkirch/Piet De Rycker | Rothkirch Cartoon film Warner Bros. | 2004 |
| Derrick - which call obligation! | Michael Schaack | UIP | 2004 |
| bake tons of Gaya | Lenard Fritz Krawinkel | Warner Bros. | 2004 |
| Felix - a hare on voyage round the world | Giuseppe Maurizio Laganà | UIP | 2005 |
| Heidi | Alan Simpson | Loonland Pictures | 2005 |
| Felix of 2 - the hare and the verflixte time machine | Giuseppe Maurizio Laganà | 2006 |
Asterix - films
| of German titles | original title | direction | year |
|---|---|---|---|
| Asterix of the Gallier | Astérix le Gaulois | Ray Goossens | 1967 |
| Asterix andKleopatra | Astérix et Cléopâtre | René Goscinny /Lee Payant | 1968 |
| Asterix conquers Rome | Les Douze travaux d'Astérix | René Goscinny/Albert Uderzo | 1976 |
| Asterix - victory over Cäsar | Astérix et la surprise de César | Gaëtan Brizzi/Paul Brizzi | 1985 |
| Asterix with thatA Britisher | Astérix chez les Bretons | Pino Van Lamsweerde | 1986 |
| Asterix - operation Hinkelstein | Astérix et le coup you menhir | Philippe Grimond | 1989 |
| Asterix in America | Asterix in America | Gerhard cock | 1994 |
| Asterix and the Wikinger | Astérix et les Vikings | Stefan Fjeldmark | 2006 |
further one
| German title | original title | direction | Studio | year |
|---|---|---|---|---|
| rebellion of the animals | Animal farm | John Halas/Joy Batchelor | 1955 | |
| down at the river | Watership down | Martin roses | Nepenthe Productions | 1978 |
| the gentleman of the rings | The lord OF theRing | Ralph Bakshi | Fantasy of film | 1978 |
| Heavy Metal (film) | Heavy Metal | Gerald Potterton | Columbia | 1981 |
| Heavy Metal F.A.K.K. 2 | Heavy Metal 2000 | Michael Coldewey/Michael Coldewey | Columbia | 2000 |
| the last Einhorn | The load Unicorn | Arthur Rankin Jr/Jules bass | climbing in bass | 1982 |
| the courageous one small toaster | The good Little toaster | Jerry Rees | ITC | 1987 |
| Tom and Jerry - the film | Tom and Jerry: The Movie | Phil novel | UFA | of 1992 |
| masters Dachs and its friends | Once Upon A Forest | Charles Grosvenor/David Michener | Hanna Barbera | 1993 |
| the PAGE master - Richies fantastische journey | The PAGE master | Maurice Hunt | 20th Century Fox | 1994 |
| Beavis and Butt Head machen's in America | Beavis and Butt head DO America | Mike Judge | MTV Productions/Paramount Pictures | 1996 |
| Anastasia (film) | Anastasia | Don Bluth/Gary Goldman | 20th Century Fox | 1997 |
| Pippi being enough trunk | Pippi Longstocking | Bill Giggie/Michael Schaack | Columbia | 1997 |
| Pettersson & Findus | Pettson och Findus - och gubbens år Albert | Hanan fire-place ski MFA | katten | 1999 |
| South Park: The film - large, longer & ungeschnitten | South Park: Bigger, Longer & Uncut | Trey Parker | Comedy cent ral / Paramount Pictures | 1999 |
| titanium A.E. | Titanium A.E. | Don Bluth /Gary Goldman | 20th Century Fox | 2000 |
| assistance! I am a fish | Hjælp, jeg he EN fisk | Stefan Fjeldmark/Michael Hegner | Kiki/cinema world | 2000 |
| Monkeybone | Monkeybone | Henry Selick | 20th Century Fox | 2001 |
| Little Hippo | Petit Potam | Christian Choquet/Bernard Deyriès | MFA | 2001 |
| Final Fantasy: Powers in you | Final Fantasy: The Spirits Within | Hironobu Sakaguchi | Columbia / Sony Entertainment | 2001 |
| the smallMole | Krtek | Zdeněk Miler | 2002 | |
| Ice Age | Ice Age | Chris Wedge | Blue Sky of Studios | 2002 |
| Hey Arnold! - The film | Hey Arnold! The Movie | Tuck Tucker | Paramount Pictures | 2002 |
| El Cid - the legend | El Cid: La leyenda | Jose Pozo | 2003 | |
| dwarf nose | Karlik nos | Ilya Maksimov | Warner Bros. | 2003 |
| the secret of the frogs | La Prophétie of the grenouilles | Jacques Remy greed-ground | 2003 | |
| large running of Belleville | Les Triplettes de Belleville | Sylvain Chomet | 2003 | |
| Garfield - the film | Garfield: The Movie | Peter Hewitt | 20th Century Fox | of 2004 |
| Nussknacker and mouse king | The Nutcracker and the Mouseking | Michael Johnson/Tatjana Ilyina | MC One/Zorro | 2004 |
| Terkel in Trouble | Terkel I Knibe | Stefan Fjeldmark/Kresten Vestbjerg Andersen/Thorbjørn one Christoffersen | Movienet | 2004 |
| Robots | Robots | Chris Wedge/Carlo Saldanha | Blue SkyStudios | 2005 |
| Ice Age 2: Now taut's | Ice Age 2 | Chris Wedge | Blue Sky of Studios | 2006 |
famous indication trick figures
- Micky mouse, Donald duck, Goofy (mental father: Walter Elias Disney)
- of nose Bunny, Daffy duck (Mental father: Tex Avery and Chuck Jones)
- the rose-pink Panther (mental father: Smelling pool of broadcasting corporations Williams)
- Wickie from Wickie and the strong men (mental father: Runer Jonsson)
- Darkwing duck from the series of the same name (mental father: Tad Stones)
- Spongebob sponge head (Mental father: Stephen Hillenburg)
- Invader Zim (mental father: Jhonen Vasquez)
- Cosmo and Wanda (mental father: Butch Hartman)
- family flint (mental fathers: William Hanna and Joseph Barbera)
- Tom and Jerry (mental fathers: William Hanna and Joseph Barbera)
- The Simpsons (mental father: Matt Groening)
- Scooby Doo (mental fathers: William Hanna and Joseph Barbera)
- (Ranma Saotome / Ranma 1/2) (mental nut/mother: Rumiko Takahashi)
- (Shinichi Kudo alias Conan Edogawa / detective Conan) (Mental father: Gosho Ayoma)
filmed indication trick figures
- Asterix (mental father: René Goscinny)
- Garfield (mental father: Jim Davis)
- Snoopy from the Peanuts (mental father: Charles M. Schulz)
- Lucky hatch (mental father: Morris)
- Pikachu out Pokémon (mental father: Satoshi Tajiri)
- Son Goku from Dragon ball (mental father: Akira Toriyama)
- Heidi (mental nut/mother: Johanna Spyri)
- Alfred J. Kwak (mental father: Herman van Veen)
- Sailor Moon (mental nut/mother: Naoko Takeuchi)
- bee Maja (Mental father: Waldemar Bonsels)
- Anne with the red hair (mental nut/mother: Lucy Maud Montgomery)
- Benjamin Blümchen (mental nut/mother: Elfie Donnelly)
- Bibi block mountain (mental nut/mother: Elfie Donnelly)
- fixed and Foxi (mental father: Rolf Kauka)
- Werner (Mental father: Rötger field man)
- the Schlümpfe (mental father: Peyo)
Anime
Anime is the name for all animated films (indication trick and computer), which are produced in Japan.
See also
- animation
- picture history
- Comic, Manga
- computer animation
- film art, topic list film
- list of the indication trick series
- Oscars/animated feature (Academy Award - best one animated feature)
- to Trickfilm
literature
- Leonard Maltin: The classical American Zeichentrickfilm (OT: OF Mice andMagic). Heyne, Munich 1991, ISBN 3-453-86042-X
- Rolf Giesen: Encyclopedia of the trick and animated film. The large world of the animated films. Schwarzkopf & Schwarzkopf, Berlin 2003, ISBN 3-89602-523-6
- franc Thomas, Ollie John clay/tone: Disney animation. The illusion OFWould run. Abbeville press, New York 1981, ISBN 0-89659-698-2
- roll Disney, Bob Thomas, Paul Hartley: The art of the indication film. Blüchert, Hamburg 1960
- Rolf Giesen (Hrsg.): The large book of the indication film. Comicaze publishing house company, Berlin 1982, ISBN 3-923266-00-6
- Jerry Beck(Hrsg.):The 50 Greatest Cartoons. As Selected by 1000 animation Professionals. JG press/Layla, North Dighton 1998, ISBN 1-57215-271-0
