Zeichentrickfilm

example of a short Zeichentrickfilm

of a Zeichentrickfilm (Trickfilm) designs einzelbildweise are taken up, which differ from picture to picture from each other. As film one behind the other played, the frames the brain appear as movement. The technology functions therebysimilarly as in the thumb cinema, where successive designs in a book appear when paging through as animation.

Indication trick elements can interact also with material film (Roger Rabbit), or in intermediate sequences, pre and remove arise (the rose-pink Panther).

In that Cinema production becomes handdrawn animation since end of the 1990er - years by computer animation displaces. In TV and child film as well as in Anime - the classical indication trick technology, supplemental by computer engineering, plays productions also further an important role. The world-wide indication trick film industry constantly grows, because the needat new program contents by new selling ways such as Home video and - DVD as well as Internet grew. Also in the advertisement as well as in the art or Kurzfilm indication trick has its firm place.

The indication trick flat figure and shears cut film are related. These techniques become recently throughComputer programs like “Flash”, “Animo”, “Moho” among other things facilitated. The whole range is called “2-D-Animation”, in contrast to the “3-D-Animation” (cgi - animation) and to object animations such as dolls - or special trick or Claymation.

Table of contents

history

scene from the Trickfilm Gertie the Dinosaur (1914)

the first drawn films created the Frenchman Emile Reynaud alsoAssistance of the Praxinoskops developed by it. it placed its first to 1892 with this procedure, which was considered as a forerunner of the cinematography, animated pictures forwards. 1906 are considered as the birth year of the Zeichentrickfilms, as the Americans J. Stuart Blackton with Humorous PhasesOF Funny Faces its first completely animated film presented. Later the Frenchman Emile Cohl published two years its first abstract Zeichentrickfilme, with which he drew still directly on film strips.

The films of the caricaturist Winsor McCay , that became particularly popular and created 1914 with Gertie the Dinosaur the first popular indication trick figure converted 1911 its Comicreihe Little Nemo in a Kurzfilm. In the consequence at the beginning of the 20's developed many Studios, the their most well-known from max butchers (Koko the clown, Betty Boop, Popeye), Pat Sullivan (Felix the Cat) and roll Disney (Micky mouse) were. In this Studios developed from the alone working Animator the arbeitsteilige system of specialists, which exists until today. Thatfirst Zeichentrickfilm in feature length was the Argentine film “El Apóstol” from the year 1917, by which however all copies were destroyed 1926 with a fire.

technical development

at the beginning the designs became still direct under the cameraput. For instance starting from 1920 they were transferred to foil (“Cels”), which background aufwändigere made possible. 1928 were added the clay/tone, starting from 1930 the color. 1933 developed the ingenious inventor and draughtsman practice Iwerks, which had worked until 1930 for Disney,the multi-plan camera, with the flat background designs on different levels to be independently moved knew and so a more spatial impression produced. In the 50's Iwerks adapts the Xerox Kopiersystem such that the designs could be copied directly on foil, whichthe smooth Outline replaced and a raueres Cleanup to the consequence had. Stephen Bosustov developed the “Limited animation” with UPA; in order to have to draw not constantly complete figures again, it partitioned the figure on several levels and adapts so the indication trickfor the smaller budgets of the television.

The computer drew relatively late into the indication trick world, first into the camera area, where starting from 1970 camera travels by the computer were calculated approximate and implemented. In the 90's a scanning replaced earlier copyingthe designs; following work procedures such as Colorieren and camera took place now in the computer. Heutige Produktionssysteme in großen Studios automatisieren möglichst viele Arbeitsgänge, aber immer noch ist Zeichentrickfilm vor allem ein Handwerk, das mit Bleistift und Papier ausgeübt wird. At oneevening-filling Zeichentrickfilm work about 100 to 400 humans, and several ten thousand designs are made.

work engineerings

the classical work routine of large Studios begins with a film script and the draft of the acting figures. The film script is basis for thatStoryboard, in which for each attitude at least a design stands, from which camera focusing, movement of the figures and kind of the background are recognizable. After the Storyboard layouts are drawn, in the size, in which both Animatoren and background artists work.For each figure exists modelsheet, which represents the collecting main for all draughtsmen.

Usually, if the film script is complete, the speakers of the figures are accepted. The finished dialogues become of the TRACK reader (nowadays often a software) sound for sound inthe X-Sheets (“exposure sheets”) registered. That X-sheet is an frame-exact film script for each individual attitude, which is obligatory on the Animator and the cameraman. In it all camera movements become, above all however the temporal operational sequence apart from the dialogue (Timing) the movements of the figures held.

The Animator receives the Storyboard, the necessary Modelsheets, a copy of the layout and the X-Sheet. It sketches now with some sketchy designs the stand of the animation, the “Keyframes” or Hauptphasen. Those are those designs,those the movement define. In order to examine its work, it takes up it with the LINE tester, a software, which plays taken up designs on a computer by video camera. It can shift each design so long in the time, until thatTiming fits. If the Animator and the director with the scene are content, “rough the animation” goes to the assistant of the Animators. That draws “cleanups”, thus fair designs of the Keyframes, faithfully after the defaults of the Modelsheets, and adds possibly. “breakdowns” in addition. Thatare designs between the Keyframes, which define the movement still more exactly. The increasing pile paper arrives now at the Inbetweener or intermediate phase draughtsman, which inserts the still which are missing designs between existing the already.

For normal movements 12 designs per second are sufficientFilm, with extremely fast, or movements across the picture needs it already times 24 designs, so that no Rotoskop effect arises. The standard such as z. B. with Disney lies when approximately 18 designs per second. TV-series come in parts with 6 designs perSecond out. Sometimes many designs per second are also not necessary, as with particularly illustrated fixed images in the art film or as picture stories.

If all designs are present, the scene is several times tested and decreased, it can be coloriert. In former times all designs becameto foil or copy and these transfer then by hand on the back painted. Nowadays the Colorieren takes place ever more in the computer. The Colorist works then on the screen with in-scanned designs. Animation software can automate thereby much, by handthe first picture of a scene is only coloriert - which computer coloriert all further phases - afterwards naturally possible errors corrected.

In the meantime background painted. In former times met background with the painted foils underthe camera again, today also they are painted even whole in-scanned, or at the computer. Arranging (“Compositing “) the different parts of the animation over the background offers opportunity to insert still special effects. If all individual parts are inserted, the scene is gerendertand either digitally stored or on Zelluloid - film out-exposes.

background

many Zeichentrickfilme, in particular Disney films are based on fairy tale (Schneewittchen, Aschenputtel, the small sea virgin), legends and/or. Myths (Robin Hood, Hercules) or uphistorical novels (the jungle book, the Glöckner of Notre Dame). But while above all roll yourself Disney at fairy tales as sources for the first Zeichentrickfilme oriented, developed also Zeichentrickfilme, whose stories were written particularly for the film. ThereZeichentrickfilme of children as an important target group have, adhere contents of the films not always to its source and it adjustments regarding a Happy end or made the death of characters. Adults spectators become with these filmsoften also on another level addressed, z. B. by jokes, which would escape a child. Here Japanese Zeichentrickfilme, Animes so mentioned, which want to address a broad public just like the Disney films, form an exception however usuallywithout adjustments for a recent public do.

examples

title collecting main type of collecting main
the king of the lions Hamlet of William Shakespeare drama
Arielle, the sea virgin the small sea virgin of Christian Andersen one fairy tale
Schneewittchen and the seven dwarves Schneewittchen ofthe brothers Grimm fairy tale
Mulan Mulan China legend
the prince of Egypt Bible exodus of the Jews from Egypt religious one legend
Aladdin Aladdin and the miracle lamp fairy tale from 1001 night fairy tale

plate

the following statements become again and again overZeichentrickfilme set up:

  • „Zeichentrickfilme are for adults uninteresting “

Zeichentrickfilme particularly in the today's time as child stuff dismissed, which is not worth it, will be regarded. This plate is to be due particularly to walter Elias Disney, that its Zeichentrickfilme predominantfor the recent public sketched. A great many Zeichentrickfilme are cut to children, in addition, for adults interesting, like e.g. Ice Age and Ice Age 2. In addition, some few exclusively give themselves, to adults the publicarrange.

  • „Zeichentrickfilme from Japan are too brutal and for smaller children unsuitable “

the cause of many plates at Trickfilmen are the Anime (Trickfilme from Japan), which is also hated in Europe meanwhile well-known, famous, but in some circles. Anime becomeon the side because of partly enormous force representations criticized, on the other side they are avoided because of exaggerated niceness. Both statements are partially justified, but may not not be generalized them. During the condemnation of Animes also mostly one forgets,that the classical Trickfilme come such as Heidi , Wickie and the strong men and the bee Maja everything from Japan and are thus also Anime.

  • „Zeichentrickfilme are always merry, but never sadly “

this applies frequently, but there are exceptionsalso here. Like that is z. B. the anti-war film the last Glühwürmchen of Isao Takahata a Trickfilm, which does not move humoristic elements contained and on the level of a tragedy. There are also Trickfilme, both category (comedy and tragedy) unite into one another. Also here Anime are to be particularly emphasized.

Zeichentrickfilme today

the production of evening-filling Zeichentrickfilmen for the cinema in the last years decreased/went back little. The success of Pixar and other producer of cgi animated films moved Disneyto produce, no classical Zeichentrickfilme more. With the cows are the matter!Disney is to have produced the provisionally last cinema indication trick film. Also different Studios are affected by the reorientation of their backers away by the 2-D, to the 3-D-Film, although economic successPixars rather in its contentwise and artistic Virtuosität justified lies.

World-wide further long Zeichentrickfilme are produced nevertheless, above all however TV serials. Disney operates Studios in Japan and Australia, which work in classical technology mainly for the increasing Home video market. InJapan (z. B.Studio Ghibli), Korea (z. B. Sec. Trickfilmstudios in North Korea), Taiwan and China grows the trick film industry, which either when suppliers for European and American companies works or supplied with productions in self-direction the domestic market. Outstanding one artistic personalities such as Hayao Miyazaki refuse themselves in principle to the 3-D-Boom: „We used the technology, which looks graphically best. And signatures are in addition still the most suitable method. “

Become in Europe owing to the Cartoon program of the European Union in the last yearsstrengthens evening-filling Zeichentrickfilme manufactured, most of it for children.

international important persons

indication trick and animated films in the cinema format

Disney

see also list of the Disney films

of German titles original title direction year
Steamboat Willie Steamboat Willie practice Iwerks 1928
Schneewittchen and the seven dwarves Snow White and the Seven Dwarfs David D. Hand 1937
Pinocchio Pinocchio Ben Sharpsteen/Hamilton Luske 1940
Fantasia Fantasia Ben Sharpsteen 1940
the Drache against will The Reluctant Dragon Hamilton Luske 1941
Dumbo Dumbo Ben Sharpsteen 1941
Bambi Bambi David D. Hand 1942
Donald duck - three Caballeros in the Samba fever Saludos Amigos Bill Robert/Jack Kinney/Hamilton Luske/Wilfred Jackson 1943
three Caballeros The Three Caballeros Norman Ferguson 1945
laughter concert in duck living Make mine music Jack Kinney/Clyde Geronimi/Hamilton Luske/BobCormack/Josh Meador of 1946
uncles Remus' miracle country Song OF the South Wilfred Jackson 1946
Mickey, Donald & Goofy in the fairy tale country Fun and Fancy Free Jack Kinney/Hamilton Luske/Bill Robert 1947
melody dance rhythm Melody Time Clyde Geronimi/Wilfred Jackson/Hamilton Luske/Jack Kinney 1948
championsto falling in love so Dear ton of My Heart Hamilton Luske 1949
the adventures of Ichabod and Taddäus toad The Adventures OF Ichabod and Mr. Toad Jack Kinney/Clyde Geronimi/James Algar 1949
Cinderella Cinderella Wilfred Jackson/Hamilton Luske/Clyde Geronimi 1950
Alice in the miracle country Alicein Wonderland Clyde Geronomi/Hamilton Luske/Wilfred Jackson 1951
Peter Pan Peter Pan Hamilton Luske/Clyde Geronimi/Wilfred Jackson 1953
Susi and Strolch lady and the Tramp Hamilton Luske/Clyde Geronimi/Wilfred Jackson 1955
Dornrö and the prince Sleeping Beauty Clyde Geronimi 1959
101 Dalmatiner OneDog-talk and One Dalmatians Wolfgang Reitherman/Hamilton Luske/Clyde Geronimi 1961
the witch and the Zauberer The Sword in The Stone Wolfgang Reitherman 1963
Mary Poppins Mary Poppins Robert Stevenson 1964
the jungle book The Jungle Book Wolfgang Reitherman 1967
Aristocats The Aristocats Wolfgang Reitherman 1970
the daring witch in its flying bed Bedknobs and Broomsticks Robert Stevenson 1971
Robin Hood Robin Hood Wolfgang Reitherman 1973
the adventures from Vienna never Puuh The Many Adventures OF Vienna never the Pooh Wolfgang Reitherman/John Lounsbery 1977
Berne pool of broadcasting corporationsand Bianca - the mouse police The Rescuers Mike Gabriel/Hendel Butoy 1977
Elliot, the Schmunzelmonster Pets's Dragon Don Chaffey 1977
Cap and Capper The Fox and the Hound kind of Stevens/Ted Berman 1981
Oz - a fantastic world Return ton of Oz Walter Murch 1985
Taran and the charm boiler The Black Cauldron Ted Berman/Richard smell 1985
Basil, the large mouse detective The Great Mouse Detective John Musker/Ron Clements of 1986
olive and cost. Olive and company George Scribner 1988
Arielle, the sea virgin The LittleMermaid John Musker/Ron Clements 1989
of ducking valley: Hunter of the lost lamp of ducking valley: The Movie (Treasure OF the draws to Lamp) Bob Hathcock 1990
Berne pool of broadcasting corporations and Bianca in the Känguruhland The Rescuers down Under Hendel Butoy/Mike Gabriel 1990
the beautiful one and the beast Beautyand the Beast Gary Trousdale/Kirk meadow 1991
Aladdin Aladdin John Musker/Ron Clements 1992
the king of the lions The Lion King Roger Allers 1994
the Goofy film A Goofy Movie Kevin Lima 1995
Pocahontas Pocahontas Mike Gabriel/Eric gold mountain 1995
James andthe giant peach James and the Giant Peach Henry Selick 1996
the Glöckner of Notre Dame The Hunchback OF Notre Dame Gary Trousdale/Kirk meadow 1996
Hercules Hercules Ron Clements/John Musker 1997
Mulan Mulan Barry Cook/Tony Bancroft 1998
Doug - the 1.Film Doug's 1st Movie Maurice Joyce 1999
Tarzan Tarzan Kevin Lima/Chris bend 1999
Fantasia 2000 Fantasia 2000 James Algar/Gaetan Brizzi/Paul Brizzi/Hendel Butoy/Francis Glebas/Eric Goldberg/Pixote Hunt/Don cock 1999
Tiggers large adventure The Tigger Movie June falcon stone of 2000
dinosaurs Dinosaur Ralph Zondag/EricLeighton 2000
a kingdom for a Lama The Emperor's new Groove Mark of Dindal 2000
of Disney large one break - the secret mission Recess: School's Out Chuck Sheetz 2001
Atlantis - the secret of the lost city Atlantis: The draws to Empire Gary Trousdale/KirkMeadow 2001
Peter Pan of 2 - new adventures in Nimmerland Return ton of Never country Robin Budd 2002
Lilo & Stitch Lilo & Stitch Dean Deblois/Chris of Sanders 2002
the treasure planet Treasure planet John Musker/Ron Clements 2002
the jungle book 2 The JungleTo Book 2 Steve Trenbirth 2003
of piglet large adventure Piglet's BEND Movie Francis Glebas of 2003
bear brothers bread ago Bear Aaron Blaise/Robert Walker 2003
of Disney class dog - the film Teacher's Pet Timothy Bjorklund 2004
the cows are the matter! Home on the rank JohnSanford/does not want Finn 2004
Heffalump - a new friend for Vienna ever Puuh Pooh's Heffalump Movie franc Nissen of 2005
skies and chicken Chicken Little Mark of Dindal 2005

Pixar

of German titles original title direction year
Toy story Toy story John leaving 1995
large crawling A Bug's would run John leaving 1998
Toy story 2 Toy story 2 John leaving 1999
the monsters AG of monster, Inc. Peter Docter 2001
finds Nemo Finding Nemo Andrew Stanton 2003
the unbelievable The Incredibles Brad Bird 2004
cars like we Cars John leaving 2006

Dreamworks

of German titles original title direction year
Antz Antz Eric Darnell/Tim Johnson 1998
the prince of Egypt The Prince OF Egypt Brenda Chapman/Steve Hickner/Simon Wells 1998
the way after ElDorado The Road ton of El Dorado Bibo Bergeron/wants Finn/Jeffrey Katzenberg/Don Paul/David Silverman 2000
Chicken run - hens running Chicken run Peter Lord/nod park 2000
Joseph - king of the dreams Joseph: King OF Dreams Robert C. Ramirez/Rob LaDuca 2000
Shrek- The daring hero Shrek Andrew Adamson/Victoria Jenson 2001
mirror-image-guessed/advised - the wild Mustang mirror-image-guessed/advised: Stallion OF the Cimarron Kelly Asbury/Lorna Cook 2002
Sinbad: The gentleman of the seven seas Sinbad: Putting OF the Seven Seas Tim Johnson/Patrick Gilmore 2003
Shrek2 - The daring hero turns back Shrek 2 Andrew Adamson/Kelly Asbury/Conrad Vernon of 2004
large sharks - small ones of fish Shark Tale Bibo Bergeron/Vicky Jenson 2004
Madagascar Madagascar Eric Darnell/Conrad Vernon 2005

Warner Bros.

German title original title direction Year
space Jam space Jame Joe Pytka 1995
Danny of the Kater - four paws conquer Hollywood Cats Don't thanks Mark of Dindal 1996
the magic sword - the legend of Camelot Quest for Camelot Frederik you Chau 1998
the giant outthe universe The Iron Giant Brad Bird 1999
Pokémon - the film Pokémon the roofridge Movie: Mewtwo Strikes bake Michael Haigney 1999
Pokémon 2 - the power of the individual Pokémon 2000: The Movie Michael Haigney 2000
Pokémon 3 - inSpell unknown quantities of the Pokémon 3: The Movie Kunihiko Yuyama 2001
Osmosis Jones Osmosis Jones Bobby Farrelly/Peter Farrelly 2001
Powerpuff Girls - the film The Powerpuff Girls Movie Craig McCracken/John McIntyre/Genndy Tartakovsky 2002
Looney Tunes: Bake in Action LooneyTunes: Bake in Action Joe Dante 2003
the polar express The polar express Robert Zemeckis 2004

Don Bluth

of German titles original title direction year
Mrs. Brisby and the secret of Nimh The Secret OF NIMH Don Bluth 1982
ina country before our time The country before Time Don Bluth 1988
Charlie - all dogs come into the sky universe Dogs Go ton of Heaven Don Bluth 1989
skirt A Doodle skirt A Doodle Don Bluth 1992
Däumeline Thumbelina Don Bluth/Gary Goldman 1994
the Zaubertroll A Troll in cent ral park Don Bluth/Gary Goldman 1994
Hubi, the penguin The Pebble and the Penguin Don Bluth/Gary Goldman 1995

Amblin Entertainment

of German titles original title direction year
Feivel, thatMauswanderer at American Tail Don Bluth 1986
wrong play with Roger Rabbit Who Framed Roger Rabbit Robert Zemeckis 1988
in a country before our time The country Before Time Don Bluth 1988
Feivel, the Mauswanderer in the wild west at AmericanTail: Fievel Goes west Phil Nibbelink/Simon Wells 1991
4 Dinos in New York We're bake! A Dinosaur's story thickly Zondag/Ralph Zondag/Phil Nibbelink/Simon Wells 1993
Balto - a dog with the heart of a hero Balto Simon Wells 1995

Nickelodeon

of German titles original title direction year
of reprimanding advice - the film The of reprimanding advice Movie Igor Kovalyov/Norton Virgien 1998
of reprimanding advice in Paris - the film of reprimanding advice in Paris: The Movie stairs Bergqvist/Paul De Meyer 2000
Jimmy neutron - the courageous inventor JimmyNeutron: Boy genius John A. Davis 2001
reprimanding advice on axle of reprimanding advice Go game John close/Norton Virgien 2003
SpongeBob sponge head - the film The SpongeBob SquarePants Movie Stephen Hillenburg/Sherm Cohen/Carl H.Greenblatt 2004

German Zeichentrickfilme

title direction Studio Year
Werner - leg hard! Gerhard cock Constantin 1990
Felidae Michael Schaack UFA 1994
Bobo and the hare gang Tibor Hernádi/Jenö Koltai Columbia 1995
Werner: That must encircle Udo Beissel/Gerhard cock/Michael Schaack Constantin 1996
small asshole - the film Michael Schaack /Veit Vollmer senator 1997
Tobias Totz and its lion Thilo count Rothkirch/Piet De Rycker Warner Bros. 1999
Werner - full Rooäää!!! Gerhard cock Constantin 1999
Käpt'n blue bear - the film Hayo Friday UFA 1999
command Störtebeker Michael Schaack/Ute von Münchow Pohl Buena Vista 2001
the small polar bear Thilo count Rothkirch/Piet De Rycker Warner Bros. 2001
Momo Enzo D'Alò UFA 2001
Werner - Gekotzt becomes later! Hayo Friday Michael Schaack Constantin 2003
Till Eulenspiegel Eberhard Junkersdorf 2003
Lauras star Thilo count Rothkirch/Piet De Rycker Rothkirch Cartoon film Warner Bros. 2004
Derrick - which call obligation! Michael Schaack UIP 2004
bake tons of Gaya Lenard Fritz Krawinkel Warner Bros. 2004
Felix - a hare on voyage round the world Giuseppe Maurizio Laganà UIP 2005
Heidi Alan Simpson Loonland Pictures 2005
Felix of 2 - the hare and the verflixte time machine Giuseppe Maurizio Laganà 2006

Asterix - films

of German titles original title direction year
Asterix of the Gallier Astérix le Gaulois Ray Goossens 1967
Asterix andKleopatra Astérix et Cléopâtre René Goscinny /Lee Payant 1968
Asterix conquers Rome Les Douze travaux d'Astérix René Goscinny/Albert Uderzo 1976
Asterix - victory over Cäsar Astérix et la surprise de César Gaëtan Brizzi/Paul Brizzi 1985
Asterix with thatA Britisher Astérix chez les Bretons Pino Van Lamsweerde 1986
Asterix - operation Hinkelstein Astérix et le coup you menhir Philippe Grimond 1989
Asterix in America Asterix in America Gerhard cock 1994
Asterix and the Wikinger Astérix et les Vikings Stefan Fjeldmark 2006

further one

German title original title direction Studio year
rebellion of the animals Animal farm John Halas/Joy Batchelor 1955
down at the river Watership down Martin roses Nepenthe Productions 1978
the gentleman of the rings The lord OF theRing Ralph Bakshi Fantasy of film 1978
Heavy Metal (film) Heavy Metal Gerald Potterton Columbia 1981
Heavy Metal F.A.K.K. 2 Heavy Metal 2000 Michael Coldewey/Michael Coldewey Columbia 2000
the last Einhorn The load Unicorn Arthur Rankin Jr/Jules bass climbing in bass 1982
the courageous one small toaster The good Little toaster Jerry Rees ITC 1987
Tom and Jerry - the film Tom and Jerry: The Movie Phil novel UFA of 1992
masters Dachs and its friends Once Upon A Forest Charles Grosvenor/David Michener Hanna Barbera 1993
the PAGE master - Richies fantastische journey The PAGE master Maurice Hunt 20th Century Fox 1994
Beavis and Butt Head machen's in America Beavis and Butt head DO America Mike Judge MTV Productions/Paramount Pictures 1996
Anastasia (film) Anastasia Don Bluth/Gary Goldman 20th Century Fox 1997
Pippi being enough trunk Pippi Longstocking Bill Giggie/Michael Schaack Columbia 1997
Pettersson & Findus Pettson och Findus - och gubbens år Albert Hanan fire-place ski MFA katten 1999
South Park: The film - large, longer & ungeschnitten South Park: Bigger, Longer & Uncut Trey Parker Comedy cent ral / Paramount Pictures 1999
titanium A.E. Titanium A.E. Don Bluth /Gary Goldman 20th Century Fox 2000
assistance! I am a fish Hjælp, jeg he EN fisk Stefan Fjeldmark/Michael Hegner Kiki/cinema world 2000
Monkeybone Monkeybone Henry Selick 20th Century Fox 2001
Little Hippo Petit Potam Christian Choquet/Bernard Deyriès MFA 2001
Final Fantasy: Powers in you Final Fantasy: The Spirits Within Hironobu Sakaguchi Columbia / Sony Entertainment 2001
the smallMole Krtek Zdeněk Miler 2002
Ice Age Ice Age Chris Wedge Blue Sky of Studios 2002
Hey Arnold! - The film Hey Arnold! The Movie Tuck Tucker Paramount Pictures 2002
El Cid - the legend El Cid: La leyenda Jose Pozo 2003
dwarf nose Karlik nos Ilya Maksimov Warner Bros. 2003
the secret of the frogs La Prophétie of the grenouilles Jacques Remy greed-ground 2003
large running of Belleville Les Triplettes de Belleville Sylvain Chomet 2003
Garfield - the film Garfield: The Movie Peter Hewitt 20th Century Fox of 2004
Nussknacker and mouse king The Nutcracker and the Mouseking Michael Johnson/Tatjana Ilyina MC One/Zorro 2004
Terkel in Trouble Terkel I Knibe Stefan Fjeldmark/Kresten Vestbjerg Andersen/Thorbjørn one Christoffersen Movienet 2004
Robots Robots Chris Wedge/Carlo Saldanha Blue SkyStudios 2005
Ice Age 2: Now taut's Ice Age 2 Chris Wedge Blue Sky of Studios 2006

famous indication trick figures

filmed indication trick figures

Anime

Anime is the name for all animated films (indication trick and computer), which are produced in Japan.

See also

literature

  • Leonard Maltin: The classical American Zeichentrickfilm (OT: OF Mice andMagic). Heyne, Munich 1991, ISBN 3-453-86042-X
  • Rolf Giesen: Encyclopedia of the trick and animated film. The large world of the animated films. Schwarzkopf & Schwarzkopf, Berlin 2003, ISBN 3-89602-523-6
  • franc Thomas, Ollie John clay/tone: Disney animation. The illusion OFWould run. Abbeville press, New York 1981, ISBN 0-89659-698-2
  • roll Disney, Bob Thomas, Paul Hartley: The art of the indication film. Blüchert, Hamburg 1960
  • Rolf Giesen (Hrsg.): The large book of the indication film. Comicaze publishing house company, Berlin 1982, ISBN 3-923266-00-6
  • Jerry Beck(Hrsg.):The 50 Greatest Cartoons. As Selected by 1000 animation Professionals. JG press/Layla, North Dighton 1998, ISBN 1-57215-271-0

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