Italian language
| Italian (Italiano) | ||
|---|---|---|
| Spoken in: | Italy and 29 other countries | |
| Total speakers: | 70 million | |
| Ranking: | 19-20 native (in a near tie with Urdu) | |
| Language family: | Indo-European Italic Romance Italo-Western Italo-Dalmatian Italian | |
| Official status | ||
| Official language of: | Italy, European Union, Switzerland, San Marino, Slovenia (regional language), Vatican City, Istria county of Croatia | |
| Regulated by: | Accademia della Crusca | |
| Language codes | ||
| ISO 639-1: | it | |
| ISO 639-2: | ita | |
| ISO/DIS 639-3: | ita | |
| Note: This page may contain IPA phonetic symbols in Unicode. | ||
Italian ( (help·info), or lingua italiana) is a Romance language spoken by about 70 million people primarily in Italy. Standard Italian is based on Tuscan dialects and is somewhat intermediate between the languages of Southern Italy and the Gallo-Romance languages of the North. Like many languages written using the Latin alphabet, Italian has double consonants. However, contrary to, for example, French and Spanish, double consonants are pronounced as long (geminated) in Italian. As in most Romance languages (with the notable exception of French), stress is distinctive. Out of the Romance languages, Italian is generally considered to be the one most closely resembling Latin in terms of vocabulary, though Romanian most closely preserves the grammar of Classical Latin while Sardinian is the most conservative in terms of phonology.
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History
The history of the Italian language is quite complex but the modern standard of the language was largely shaped by relatively recent events. The earliest surviving texts which can definitely be called Italian (as opposed to its predecessor Vulgar Latin) are legal formulae from the region of Benevento dating from A.D. 960-963. Italian was first formalized in the first years of the 14th century through the works of Dante Alighieri, who mixed southern Italian dialects, especially Sicilian, with his native Tuscan in his epic poems known collectively as the Commedia, to which Boccaccio later affixed the title Divina. Dante's much-loved works were read throughout Italy and his written dialect became the canonical standard that others could all understand. Dante is still credited with standardizing the Italian language.
Italian has always had a distinctive dialect for each city, since the cities were up until recently city-states. A well-known Italian dictum has it that the best spoken Italian is lingua toscana in bocca romana - 'the Tuscan tongue, in a Roman mouth' (Tuscan dialects spoken with Roman inflection). The Romans are known for speaking clearly and distinctly, while the Tuscan dialect (supposedly influenced by Etruscan and Oscan), is the closest existing dialect to Dante's now-standard Italian.
In contrast to the dialects of northern Italy, the older southern Italian dialects were largely untouched by the Franco-Occitan influences introduced to Italy, mainly by bards from France, during the middle ages. (See La Spezia-Rimini Line.) The economic might and relative advanced development of Tuscany at the time (late middle ages), gave its dialect weight, though Venetian remained widespread in medieval Italian commercial life. Also, the increasing cultural relevance of Florence during the periods of 'Umanesimo' and Rinascimento (Renaissance) made its vulgare (dialect) a standard in the arts.
Classification
Italian is most closely related to the other two Italo-Dalmatian languages, Sicilian and the extinct Dalmatian. The three are part of the Italo-Western grouping of the Romance languages, which are a subgroup of the Italic branch of Indo-European.
Geographic distribution
Italian is the official language of Italy and San Marino, and is an official language in Ticino and Grigioni cantons of Switzerland. It is also the second official language in Vatican City and in some areas of Istria in Slovenia and Croatia with an Italian minority. It is also widely known and taught in Monaco and in the nearby island of Malta; it served as an official language of the country until English was enshrined in the 1934 Constitution. It is widely used also in France (Corsica and Nice) and in Albania.
It is widely used by immigrant groups in Luxembourg, Germany, Belgium, the United States, Canada, Venezuela, Brazil, El Salvador, Argentina, and Australia, and is also spoken in nearby Albania. It is spoken, to a much lesser extent, in parts of Africa formerly under Italian rule such as Somalia, Libya and Eritrea.
Italian is widely taught in many schools around the world, but rarely as the first non-native language of pupils. In anglophone parts of Canada, Italian is, after French, the second most taught language. In the United States and the United Kingdom, Italian ranks fourth (after Spanish-French-German and French-German-Spanish respectively). Throughout the world, Italian is the fifth most taught non-native language, after English, French, Spanish and German.
Official status
Italian is an official language of Italy, the European Union, San Marino and Switzerland. It is also an official language in the Istria County (Croatia) and municipalities of Koper, Piran and Izola (Slovenia).
It is a co-official language in Vatican City alongside Latin, where it is usually used by the hierarchy of the Catholic Church as a lingua franca for internal communication.
Dialects and regional languages of Italy
- See Italian dialects
The dialects of Italian identified by the Ethnologue are Tuscan, Abruzzese, Pugliese (Apulian), Umbrian, Laziale, Central Marchigiano, Cicolano-Reatino-Aquilano, and Molisan. On the contrary Ethnologue and the Red book on endangered languages of UNESCO consider Piemontese, Lombard, Ligurian, Emiliano-Romagnolo, Venetian, Friulian, Neapolitan-Calabrian or Tricalabrian (a range including Neapolitan, Sicilian and Calabrian) and Sardinian as regional minority languages, structurally separated from Italian. Most Italians, however, refer to these simply as "dialect", with the exception of Sardinian and Friulian, which are usually recognized language status in the regions of Sardinia and Friuli-Venezia Giulia. Also the Corsican language has strong similarities to Italian and most linguists consider it as a Tuscany dialect, the closest to modern Italian.
Many of the so-called dialects of Italian spoken around the country are different enough from standard Italian to be considered separate languages by most linguists and some speakers themselves. Thus a distinction can be made between "dialects of (standard) Italian" and "dialects (or languages) of Italy".
A link to an Italian site with translation features between Italian dialects and Italian: [1]
Cultural acceptance of dialects
The dialect of Tuscany became the basis for what would become the official language of Italy, by way of the famous Tuscan author Dante Alighieri. Dante and other Tuscan poets were inspired by the Sicilian koine wanted by the Sicilian School under the Holy Roman Emperor Frederick II. His project (in which Giacomo da Lentini invented the sonnet) was accomplished by enriching the Sicilian language with new words adapted from French, Latin, and Apulian. The Sicilians produced a collection of love-poems which can be considered the first standard Italian ever produced, though it was only used for literary purposes until Guittone d'Arezzo. When the Svevs dynasty ended the Tuscans and Dante re-discovered it (see De Vulgari Eloquentia and Vita Nova)and integrated the Sicilians into Florence's linguistic heritage.
The dolce stil novo, the platonic school of courtly love, can be considered the link between the old southern school and Tuscan poetry which aimed to express the new intellectual sensibility and fervor of the newly-born city-states, as Florence. Dante's work, Divina Commedia was the first of its kind to be written in a dialect (though sensibly enriched compared with its spoken counterpart), as opposed to the traditional Latin. The success of his work spread the Florentine dialect, and gave it prestige and acceptance. For this he is referred to as the father of the Italian Language.
By the time Italy was unified 1861, the Italian standard had further been influenced by Florentine through the work of the Accademia della Crusca (Cardinal Pietro Bembo and followers). Bembo laid the foundation for what is today's modern standard. But Bembo was a purist and had accepted no other influence than that from Dante, Petrarca and Boccaccio. As time went on, the language was losing touch with linguistic change, and could not put up with technology and science. The much-needed update would have to wait a little longer until, in what is commonly regarded as the first modern novel of the Italian literature, I Promessi Sposi (The Betrothed), Alessandro Manzoni further refined his widely read novel by "rinsing" it in the waters of the Arno (Florence's river), as he states in his 1840 Preface.
However, Manzoni refused the Crusca's purist, written Florentine-only attitude and admitted a certain influence from other dialects, though he reduced it as compared to the first edition of (1821). After unification the huge number of civil servants and soldiers recruited from all over the country introduced many more words and idioms from their home dialects ("ciao" is Venetian, "panettone" is Milanese etc.), in fact confirming Manzoni's linguistic views.
Tuscan has thus become one of the twenty official dialects of Italy. Though technically speaking the division between dialect and language is purely conventional, it has been used by scholars (e.g., by Francesco Bruni) to distinguish between the languages that made up the Italian koine, and those which had very little or no part in it, as Albanian, Greek, Südtirolean, Ladino, Friulian and Occitan, which are still spoken by small minorities.
Dialects are generally not used for general communication (e.g., on TV), but are limited to native speakers in informal contexts. Dialect is often deprecated as a sign of poor education. Younger generations, especially those under 35 (though it may vary in different areas), speak almost exclusively standard Italian in all situations, usually with local accents.[citation needed] Different accents can be recognized from various factors: the openness of vowels, the length of the consonants, and influence of the local dialect (for example, annà for andare in the area of Rome).
Dialects have their share of enthusiasts, but in most areas of Italy this is a small niche of the population. The promotion of dialects by political forces such as the Lega Nord has possibly damaged rather than promoted their status. Throughout Italy, some singers and actors use dialects as their language, but the language they use is, in most cases, strongly influenced by Italian.
Dialects and accents are often used in movies to provide comic relief or to produce stereotypes: northern dialects can be connected to self-made entrepreneurs; a Roman accent is associated with arrogant, simple-minded bullies; Neapolitan reminds of dishonest slackers, or of people living from hand to mouth; and, even in Italy, Sicilian is often associated with the Mafia. However, many screenwriters also explore the more expressive and spontaneous features of a dialect, often to challenge the common cliches and present a richer, less explored reality.
Sounds
Main Page: Italian phonology
| Note: This page contains IPA phonetic symbols in Unicode. |
Vowels
Italian has seven vowel phonemes: /a/, /e/, /ɛ/, /i/, /o/, /ɔ/, /u/. The pairs /e/-/ɛ/ and /o/-/ɔ/ are seldom distinguished in writing and often confused, even though each variety of Italian employs both phonemes consistently. Compare, for example: /per'kɛ/ (because) and /'senti/ (you listen), employed by some northern speakers, with /per'ke/ and /'sɛnti/, as pronounced by most central and southern speakers. As a result, the usage is strongly indicative of a person's origin. The standard (Tuscan) usage of these vowels is listed in vocabularies, and employed outside Tuscany mainly by the more educated people, especially actors and (television) journalists. These are truly different phonemes, however: compare /'peska/ (fishing) and /'pɛska/ (peach), both spelled "pesca" ( (help·info)). Similarly /'botte/ (barrel) and /'bɔtte/ (beatings), both spelled as "botte", discriminate /o/ and /ɔ/ ( (help·info)).
In general, vowel combinations usually pronounce each vowel separately. Diphthongs exist,(e.g. "uo", "iu", "ie", "ai"), but are limited to the pattern: (unstressed "u" or "i", or zero) + (stressed vowel) + (unstressed "u" or "i", or zero)
The unstressed "u" in a diphthong approximates the English semivowel "w", the unstressed "i" approximates the semivowel "y". E.g.: buono, ieri. As a semivowel, "j" is an alternate spelling of i, currently obsolete but common until early 20th century and preserved in specific words like "Jesi" (a town) or "Jacopo" (a first name).
Triphthongs are limited to a diphthong plus an unstressed "i". (e.g. miei, tuoi.) Other sequences of three vowels exist (e.g. noia, febbraio), but they are not triphthongs; they consist of a vowel followed by a diphthong.
Consonants
Two symbols in a table cell denote the voiceless and voiced consonant, respectively.
| bilabial | labiodental | dental | alveolar | postalveolar | palatal | velar | |
|---|---|---|---|---|---|---|---|
| plosive | p, b | t, d | k, g | ||||
| nasal | m | n | ɲ | ||||
| trill | r | ||||||
| flap | ɾ | ||||||
| fricative | f, v | s, z | ʃ | ||||
| affricate | ʦ, ʣ | ʧ, ʤ | |||||
| lateral | l | ʎ |
The phoneme /n/ undergoes assimilation when followed by a consonant, e.g., when followed by a velar (/k/ or /g/) it's pronounced [ŋ], etc.
Italian plosives are not aspirated (unlike in English). Italian speakers hear the difference as a foreign accent.
Italian has geminate, or double, consonants, which are distinguished by length. Length is distinctive for all consonants except for /ʃ/, /ʦ/, /ʣ/, /ʎ/ /ɲ/, which are always geminate, and /z/ which is always single. Geminate plosives and affricates are realized as lengthened closures. Geminate fricatives, nasals, and /l/ are realized as lengthened continuants. Geminate /ɾ/ is realized as the trill [rr].
Assimilation
Italian has few diphthongs, and so most unfamiliar diphthongs heard in foreign words (in particular, those with a first vowel that is not "i" or "u", or a first vowel that is stressed), will be assimilated as the corresponding dieresis (i.e., the vowel sounds will be pronounced separately). Italian phonotactics don't usually permit words to end on consonants, so foreign words may receive extra terminal vowel sounds.
Grammar
see Italian grammar.
Writing system
Italian is written using the Latin alphabet. The letters J, K, W, X and Y are not part of the standard Italian alphabet, but are seen in imported words (such as jeans, whiskey, taxi). J may also appear in many words from different dialects. Each of these foreign letters had an Italian equivalent spelling: gi, ch, u, cs or s, and i, but these are now obsolete.
- Italian uses the acute accent over the letter E (as in perché, why/because) to indicate a mid-close vowel, and the grave accent (as in tè, tea) to indicate a mid-open vowel. The grave accent is also used on letters A, I, O, and U to mark the stress position when it is on the last letter of a word (for instance gioventù, youth). Typically, the penultimate syllable is stressed. If other syllables are stressed, marking an accent is not mandatory, as is instead done in Spanish, and, in virtually all cases, no accent is marked. In some cases, when the word is ambiguous (as principi), the accent is sometimes marked in order to disambiguate the meaning (in this case, príncipi, princes, or princípi, principles; balia, nurse or balìa, force
- The letter H is always silent when it begins a word, and is only used to distinguish ho, hai, ha, hanno (present indicative of avere, to have) from o (or), ai (to the), a (to), anno (year). H is otherwise used for some combinations with other letters (see below), but the /h/ sound does not exist in Italian.
- The letter Z is pronounced /dz/, for example: Zanzara /dzanˈdzara/ (mosquito), or sometimes /ts/, for example: Nazione /naˈtsione/ (nation), depending on context, though there are few minimal pairs. The same goes with S, which can be pronounced /s/ or /z/. However, these two phonemes are in complementary distribution everywhere except between two vowels in the same word, and even in such environment there are extremely few minimal pairs, therefore this distinction is being lost in most accents.
- The letters C and G are affricates: /ʧ/ as in "chair" and /ʤ/ as in "gem", respectively, before the front vowels I and E. They are pronounced as plosives /k/, /g/ (as in "call" and "gall") otherwise1. But, the normally silent H is added between CI, CE, GI or GE if the consonant is to be a plosive. For example:
Before back vowel: plosive Before front vowel: affricate With "H": plosive "C" cara (ˈkara) ciao (/ˈʧao/) chiaro (/ˈkjaro/) "G" gallo (/ˈgallo/) genere (/ˈʤɛnere/) ghetto (/ˈgetto/)
- 1(Front/back vowel rules for C and G are similar in French, Romanian, and to some extent English (including Old English). Swedish and Norwegian have similar rules for K and G. See also palatalization.)
- There are two special digraphs in Italian: GN and GL. GN is always pronounced IPA: /ɲ/ ,for the spanish, between "n" and "e", and GL (only in italian) is pronounced IPA: /λ/) palatal lateral consonant (between "l" and "e" long) or but only before i, and never when at the beginning of the word, except in the plural form gli of the masculine definite article. (Compare with Spanish "ñ" and "ll", Portuguese "nh" and "lh".)
- In general all letters are clearly pronounced, and always in the same way. (The only notable allophonic variations in the pronunciation of phonemes in standard Italian are the assimilation of /n/ before consonants, and vowel length (vowels are long in stressed open syllables, and short elsewhere) — compare with the enormous number of allophones of the English phoneme /t/. Spelling is clearly phonetic and difficult to mistake given a clear pronunciation. Exceptions are generally only found in foreign borrowings. There is less dyslexia than in languages like English.
Usage among Younger Generations
Some variations in the usage of the writing system may be present in practical use. Most scholars consider these to be mistakes, but they are so common that knowledge of these may be useful to read an Italian text.
- Usage of x instead of per: this is very common among teenagers and in SMS abbreviations. Since per means "to", "for you" becomes x te, similar to the English 4 U. Words containing per can also have it substituted with x, and once a university student allegedly pronounced the surname of Italian revolutionary Nino Bixio as Biperio at an oral exam[2]. Perché (both "why" and "because") is often shortened as x`.
- Usage of foreign letters such as k, j and y, especially in nicknames and SMS language: ke instead of che, Giusy instead of Giuseppina. This is curiously mirrored in the usage of i in English names such as Staci instead of Stacey, or in the usage of c in Northern Europe (Jacob instead of Jakob). The letter k also appears to give words a certain strength and threatening aspect, possibly because it is associated with Germany. Politician Francesco Cossiga used to be nicknamed Kossiga by rioting students as early as 1968, because of his role as minister of internal affairs.
- Accents are often substituted by apostrophes, such as in perche' instead of perché. È is particularly rare, as it is absent from the Italian keyboard layout. Few are aware of the distinction between grave and acute accents.
Examples
- cheers (generic toast): cin cin
- English: inglese /inˈgleze/
- good-bye: arrivederci /arriveˈdertʃi/
- hello: ciao /ˈtʃao/ (informal); buongiorno /bwonˈdʒorno/ (good morning/good afternoon), buonasera /bwonaˈsera/ (good evening)
- Yes: sì /si/
- No: no /nɔ/
- Sorry: scusi /ˈskuzi/
- Again: di nuovo /di ˈnwɔvo/
- Always: sempre /ˈsɛmpre/
- When: quando /ˈkwando/
- Why? / Because: perché /per'ke/
- how much?: quanto /ˈkwanto/
- thank you!: grazie! /ˈgrattsje/
- Bon appetit: Buon appetito /ˌbwɔn appeˈtito/
- you're welcome!: prego! /ˈprɛgo/
- I love you: Ti amo /ti ˈamo/
Sample texts
You can hear a recording of Dante's Divine Comedy read by Lino Pertile at http://etcweb.princeton.edu/dante/pdp/.
From the Holy Bible, Luke 2, 1-7 (for an English version see http://www.gnpcb.org/esv/search/?q=luke+2)
You can to a rendition of this text as recorded by an Italian native speaker from Milan.
2:1 In quei giorni, un decreto di Cesare Augusto ordinava che si facesse un censimento di tutta la terra. 2 Questo primo censimento fu fatto quando Quirino era governatore della Siria. 3 Tutti andavano a farsi registrare, ciascuno nella propria città. 4 Anche Giuseppe, che era della casa e della famiglia di Davide, dalla città di Nazaret e dalla Galilea si recò in Giudea nella città di Davide, chiamata Betlemme, 5 per farsi registrare insieme a Maria, sua sposa, che era incinta. 6 Proprio mentre si trovavano lì, venne il tempo per lei di partorire. 7 Mise al mondo il suo primogenito, lo avvolse in fasce e lo depose in una mangiatoia, poiché non c'era posto per loro nella locanda.
See also
External links
- Italian at About.com
- Homepage of the Accademia della Crusca
- Italian Language Tutorial at ielanguages.com
- Italian English Dictionary from Webster's Online Dictionary - the Rosetta Edition
- A free Italian-English Dictionary, Italian Dictionary, and Thesaurus from Garzanti Linguistica (in Italian, requires free registration)
- Ethnologue report on Italian
- All free Italian dictionaries
- Online italian language test
- Language exchange - Practise Italian online
- Test your Italian - Free Italian language test
- Online Italian language course
- Learn and listen to useful expressions in Italian
- Italian Language schools
- Italian Vocabulary Training
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