Bouzouki
Bouzouki is langhalsluit from .
have evolved from the Turkish buzuk Ba?lamain the slums of where it was used in rebetika in kroegen where hasj were sold (tekes). As from and up to the 40er years of the previous century had the bouzouki 3 snaren (trichordo).
The poll of 4 (tetrachordo) bouzouki (nowadays more popular) is C, F, A, D (a complete note lower than highest celebrates snaren of ), where snaren of C and F in octaven stand.
The bouzouki become with played on as a melody instrument. The quality of the bouzouki becomes frequently measured to the number of duigjes from which the convex consonance cupboard has been built, (how more duigjes how more expensively and improve one frequently thinks). Toch the number of duigjes says nothing concerning consonance. Bouzouki with few duigjes (in the Greek ' doejes ') are possible much improve latches then a copy with much. It has do everything with used at on the one hand - especially the quality of the bovenblad (' elato ' or spar) is very important - and with the subtiliteit of the construction manner on the other side. The binnenzijde of (cheaper) bouzouki has been frequently covered with a type glowing order paper. Better has not been covered, or taped up with a type to strong matting prevent that at a ongelukje split the cupboard. The front with zwart-witte have been frequently carried out a decoration, the more expensive types have been however preserved with parelmoer or with contrasting at (for example esdoorn in purple wood).
Nowadays are considered the bouzouki as Greek music instrument pre-eminently. For the second world war the instrument endured in a doubtful daglicht (it was played on people who lived on the itself side of the society). However after the omarming of the bouzouki by type-setters boasted as Mikis Theodorakis and Manos Hadzidakis (that it a place gave in their ' higher ' song art), the instrument langzaamaan very popular has become. In the Netherlands the bouzouki have been especially pleased at liefhebbers of the ' rebetika ' on the one hand, and at the liefhebbers of z.g. ' tourist music ' on the other side.
The smaller little sisters of the bouzouki become tzouras and called (the last denomination comes of a member of saz family which however much are larger of format is). The bouzouki are also related to Bulgarian .
A form adapted in (Irish bouzouki) the instrument is played on much in Irish volksmuziek. This comes because Irish muzikanten in the 60er years had taken along the Greek bouzouki from Greece and in their music will appreciate. The construction of the bouzouki has been then taken over also by Irish builders, however with the traditional properties of the cittern (the construction manner of it will serve therefore as a main point). Characteristic differing: a firm flat neck with adaptation tenon, a flat druppelvormige cupboard, and many heavier snaren which at the basque ears not its geoktaveerd.
External left
| Images which can belong you find to this subject in the category of Wikimedia Commons. |
